Rimmele, J. M.; Kern, P.; Lubinus, C.; Frieler, K.; Poeppel, D.; Assaneo, M. F.: Musical sophistication and speech auditory-motor coupling: Easy tests for quick answers. Frontiers in Neuroscience 15, 764342 (2022)

Franz, I.; Knoop, C. A.; Kentner, G.; Rothbart, S.; Kegel, V.; Vasilieva, J.; Methner, S.; Scharinger, M.; Menninghaus, W.: Prosodic Phrasing and Syllable Prominence in Spoken Prose. A Validated Coding Manual. OSF Preprints (2022)

Bhattamishra, S.; Muralikrishnan, R.; Choudhary, K. K.: Animacy modulates gender agreement comprehension in Hindi: An ERP study. Language, Cognition and Neuroscience 37 (5), S. 560 - 575 (2022)

Blohm, S.; Versace, S.; Methner, S.; Wagner, V.; Schlesewsky, M.; Menninghaus, W.: Reading Poetry and Prose: Eye Movements and Acoustic Evidence. Discourse Processes 59 (3), S. 159 - 183 (2022)

Cohen, D. E.: From Ramos to Rameau: Toward the origins of the modern concept of harmony. Journal of Music Theory 66 (1), S. 1 - 42 (2022)

Mutch, C.: How the Triad took (a) root. Journal of Music Theory 66 (1), S. 43 - 62 (2022)

Pascual , L.: La estética de Kant y el problema del juicio estético en la música. Areté 34 (2), S. 457 - 472 (2022)

Raz, C.: To “Fill Up, Completely, the Whole Capacity of the Mind”: Listening with attention in Late Eighteenth-Century Scotland. Music Theory Spectrum 44 (1), S. 141 - 154 (2022)

Wörner, F.; Wald-Fuhrmann, M. (Hg.): Lexikon Schriften über Musik: Vol. 2. Musikästhetik in Europa und Nordamerika. Bärenreiter/Metzler, Kassel, Stuttgart (2022), 962 S.

Willemsen, S.; Miklós, K. (Hg.): Puzzling Stories: The Aesthetic Appeal of Cognitive Challenge in Film, Television and Literature. Berghahn (2022)

Hansen, N. C.; Wald-Fuhrmann, M.; Davidson, J. W. (Hg.): Social convergence in times of spatial distancing: The rRole of music during the COVID-19 Pandemic. Frontiers Media SA, Lausanne (2022), 634 S.

Auksztulewicz, R.; Garrido, M. I.; Malmierca, M. S.; Tavano, A.; Todd, J.; Winkler, I. (Hg.): Sensing the world through predictions and errors. Frontiers Media SA., Lausanne (2022)

Pearson, L.: A social aesthetics and ethics of imperfection: Insights from Karnatak Music, Jazz and free improvisation. In: Imperfectionist aesthetics in art and everyday life (Hg. Cheyne, P.). Routledge, New York (2022)

Blohm, S.; Knoop, C. A.: Rhyme. In: An Introduction to Poetic Forms, S. 9 - 22 (Hg. Gill, P.). Routledge, New York (2022)

Wald-Fuhrmann, M.: Coronamusic(king):Types, repertoires, consolatory function. In: Sounds of the pandemic: Accounts, experiences, perspectives in times of COVID-19, S. 193 - 212 (Hg. Agamennone, M.; Palma, D.; Sarno, G.). Taylor & Francis, London (2022)

Blohm, S.; Knoop, C. A.: What to expect from a poem? The primacy of rhyme in college students’ conceptions of poetry. In: Rhyme and Rhyming in Verbal Art, Language, and Song, Bd. 25, S. 264 - 276 (Hg. Sykäri, V.; Fabb, N.). Finnish Literature Society, SKS, Helsinki (2022)

Ullén, F.: Expertise and the brain of the performing artist. In: The Routledge international handbook of neuroaesthetics, S. 526 - 538 (Hg. Skov, M.; Nadal, M.). Taylor & Francis Ltd, London (2022)

Vessel, E. A.; Ishizu, T.; Bignardi, G.: Neural correlates of visual aesthetic appeal. In: The Routledge international handbook of neuroaesthetics, S. 103 - 133 (Hg. Skov, M.; Nadal, M.). Routledge, London (2022)

Menninghaus, W.; Blohm, S.: Empirical Aesthetics of Poetry. In: The Oxford Handbook of Empirical Aesthetics, S. 704 - 720 (Hg. Nadal, M.; Vartanian, O.). Oxford University Press, Oxford (2022)

Bär, C.: Urbanes Place-Making und Sprechen über Musik. In: Handbuch Sprache im urbanen Raum/Handbook of Language in Urban Space, S. 165 - 190 (Hg. Busse, B.; Warnke, I. H.). De Gruyter, Berlin (2022)