Book Chapter (12)

81.
Book Chapter
Frieler, K.; Zaddach, W.-G.; Meyer, S.: Künstliche Intelligenz in der Musikproduktion. In: Musik und Internet: Aktuelle Phänomene populärer Kulturen, pp. 3 - 27 (Eds. Moormann, P.; Ruth, N.). Springer VS, Wiesbaden (2023)
82.
Book Chapter
Kalustian, K.: Spotify Charts Scraper: Vorstellung einer Web-App zur Abrufung von täglichen Top 200 Spotify-Charts inklusive Audio-Features in Echtzeit. In: Musik und Internet: Aktuelle Phänomene populärer Kulturen, pp. 215 - 222 (Eds. Moormann, P.; Ruth, N.). Springer VS, Wiesbaden (2023)
83.
Book Chapter
Pausch, V.; Harrison, P. M. C.; Höger, F.; Müllensiefen, D.; Frieler, K.: psychTestR – Ein R-Paket für (musik-)psychologische Tests und Fragebogeninventare. In: Musik und Internet: Aktuelle Phänomene populärer Kulturen, pp. 249 - 259 (Eds. Moormann, P.; Ruth, N.). Springer VS, Wiesbaden (2023)
84.
Book Chapter
Cohen, D. E.: "A body composed of many parts": The concept of harmony in Leonardo da Vinci’s Paragone. In: Music and visual culture in Renaissance Italy (Eds. Henry, C.; Shephard, T.). Routledge Taylor & Francis Ltd, London (2023)
85.
Book Chapter
Feld, S.; Jacoby, N.; Loughridge, D.; Loui, P.; Margulis, E. H.: Conversations with Steven Feld. In: The science-music borderlands: Reckoning with the past and imagining the future, pp. 367 - 383 (Eds. Margulis, E. H.; Loui, P.; Loughridge, D.). The MIT Press, Cambridge, Massachusetts (2023)
86.
Book Chapter
Raz, C.: Of sound minds and tuning forks: Neuroscience’s vibratory histories. In: The science-music borderlands: Reckoning with the past and imagining the future, pp. 115 - 129 (Eds. Margulis, E. H.; Loui, P.; Loughridge, D.). The MIT Press, Cambridge, Massachusetts (2023)
87.
Book Chapter
Savage, P. E.; Jacoby, N.; Margulis, E. H.; Daikoku, H.; Anglada-Tort, M.; Castelo-Branco, S. E.-S.; Nweke, F. E.; Fujii, S.; Hegde, S.; Chuan-Peng, H. et al.; Jabbour, J.; Lew-Williams, C.; Mangalagiu, D.; McNamara, R.; Müllensiefen, D.; Opondo, P.; Patel, A. D.; Schippers, H.: Building sustainable global collaborative networks: Recommendations from music studies and the social sciences. In: The science-music borderlands: Reckoning with the past and imagining the future, pp. 347 - 365 (Eds. Margulis, E. H.; Loui, P.; Loughridge, D.). The MIT Press, Cambridge, Massachusetts (2023)
88.
Book Chapter
Wald-Fuhrmann, M.: Du holde Kunst: Trost als Funktion des Musikhörens und Musizierens während der Corona-Pandemie. In: Trost: Beistand, Zuspruch und Trostgründe in der Krise, pp. 261 - 283 (Ed. Bulang , T.). Winter, Heidelberg (2023)

Proceedings (1)

89.
Proceedings
Jokisch, J. (Ed.): Identities and representations: Reaching one another language as interface and performance. 3rd and 4th International Students’ Conference ICON 2020 and 2021, Mainz. Gutenberg Open Science, Mainz (2023)

Conference Paper (3)

90.
Conference Paper
Pearson, L.; Manickavasakan, B.: Annotating Karnataka music: Encounters between a musical tradition and computational tools. In: Proceedings of the Second Symposium of the ICTM Study Group on Sound, Movement, and the Sciences (SoMoS), pp. 23 - 27 (Ed. Bonini Baraldi, F.). Second Symposium of the ICTMStudy Group on Sound, Movement, and the Sciences (SoMoS, Barcelona, Spain, October 26, 2022 - October 28, 2022. Instituto de Etnomusicologia - Centro de Estudos em Música e Dança (INET-md), Faculty of Social and Human Sciences, NOVA University, Lisbon, Portugal (2023)
91.
Conference Paper
Jokisch, J.: Should you let your computer do the reading?: A discussion on the benefits of distant reading for literary studies, with a quantitative study on the development of stage directions in European Drama. In: Identities and representations: Reaching one another language as interface and performance, pp. 43 - 67 (Ed. Jokisch, J.). 3rd and 4th International Students’ Conference ICON 2020 and 2021, Mainz. Gutenberg Open Science, Mainz (2023)
92.
Conference Paper
Fink, L.: Eye movement patterns when playing from memory: Examining consistency across repeated performances and the relationship between eyes and audio. In: The e-proceedings of the 17th International Conference on Music Perception and Cognition and the 7th Conference of the Asia-Pacific Society for the Cognitive Sciences of Music (Eds. Tsuzaki, M.; Sadakata, M.; Ikegami, S.; Matsui, T.; Okano, M. et al.). 17th ICMPC, Nihon University College of Art – Ekoda Campus, Tokyo, Japan; hybrid participation, August 24, 2023 - August 28, 2023. (2023)

Meeting Abstract (1)

93.
Meeting Abstract
Pearson, L.; Nuttall, T.; Pouw, W.: Motif-gesture clustering in Karnatak vocal performance: A multimodal computational music analysis. In The e-proceedings of the 17th International Conference on Music Perception and Cognition and the 7th Conference of the Asia-Pacific Society for the Cognitive Sciences of Music, p. 117 - 117 (Eds. Tsuzaki, M.; Sadakata, M.; Ikegami, S.; Matsui, T.; Okano, M. et al.). ICMPC17-APSCOM7, Tokyo, August 24, 2023 - August 28, 2023. College of Art, Nihon University, Tokyo (2023)

Thesis - PhD (1)

94.
Thesis - PhD
Czepiel, A.: Assessing real-world music listening in concerts: Aesthetic experiences and peripheral physiological responses. Dissertation, Maastricht University, Maastrich (2023)

Issue (1)

95.
Issue
Wald-Fuhrmann, M.; van Dyck-Hemming, A. (Eds.): Musikwissenschaftliche Gesellschaften und Zeitschriften (Special issue). Die Musikforschung 76, (4) (2023)

Other (3)

96.
Other
Kazanina, N.; Tavano, A.: Reply to ‘What oscillations can do for syntax depends on your theory of structure building’, Nature Reviews Neuroscience 24, (2023)
97.
Other
Kazanina, N.; Tavano, A.: Reply to ‘When linguistic dogma rejects a neuroscientific hypothesis’, Nature Reviews Neuroscience 24, pp. 726 - 727 (2023)
98.
Other
Kazanina, N.; Tavano, A.: Reply to ‘Low-frequency neural parsing of hierarchical linguistic structures’, Nature Reviews Neuroscience, (2023)

Book Review (2)

99.
Book Review
Wassiliwizky, E.: Book review: The Routledge International Handbook of Neuroaesthetics by Martin Skov and Marcos Nadal (OnlineFirst). Perception (2023)
100.
Book Review
van Dyck-Hemming, A.: Carl Dahlhaus. Briefe 1945-1989. Hrsg. von Tobias Robert KLEIN. Kassel/Berlin: Bärenreiter/J.B. Metzler 2022. 701 S. Die Musikforschung 76 (2), pp. 196 - 200 (2023)
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