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Wörner, F.: Schönberg und die Musiktheorie. In: Schönberg-Handbuch, pp. 433 - 446 (Eds. Frank, M.; Muxeneder, T.; Scheideler, U.). J.B. Metzler Stuttgart, Heidelberg (2023)

Kreuzer, M.; Wald-Fuhrmann, M.; Weining, C.; Meier, D.; O’Neill, K.; Tschacher, W.; Tröndle, M.; Egermann, H.: Digital concert experience: An online research project on live streaming during the Pandemic. In: Classical music and opera during and after the COVID-19 Pandemic: Empirical research on the digital transformation of socio-cultural institutions and aesthetic forms, pp. 95 - 112 (Eds. Lepa, S.; Müller-Lindenberg, R.; Egermann, H.). Springer, Cham (2023)

Pearson, L.; Ramanujacharyulu, T. K. V.: Handwritten notation in Karnatak music: Memory and the mediation of social relations. In: Musikalische Schreibszenen, pp. 285 - 303 (Eds. Celestini, F.; Lutz, S.). Brill | Fink, Paderborn (2023)

Kentner, G.; Franz, I.; Knoop, C. A.; Menninghaus, W.: Prosodic Boundary Strenght and Phrase-Initial Syllable Duration. In: Proceedings of the 20th International Congress of Phonetic Sciences, ICPhS 2023. Prague., pp. 1440 - 1443 (Eds. Skarnitzl, R.; Volín, J.) (2023)

Frieler, K.; Zaddach, W.-G.; Meyer, S.: Künstliche Intelligenz in der Musikproduktion. In: Musik und Internet: Aktuelle Phänomene populärer Kulturen, pp. 3 - 27 (Eds. Moormann, P.; Ruth, N.). Springer VS, Wiesbaden (2023)

Kalustian, K.: Spotify Charts Scraper: Vorstellung einer Web-App zur Abrufung von täglichen Top 200 Spotify-Charts inklusive Audio-Features in Echtzeit. In: Musik und Internet: Aktuelle Phänomene populärer Kulturen, pp. 215 - 222 (Eds. Moormann, P.; Ruth, N.). Springer VS, Wiesbaden (2023)

Pausch, V.; Harrison, P. M. C.; Höger, F.; Müllensiefen, D.; Frieler, K.: psychTestR – Ein R-Paket für (musik-)psychologische Tests und Fragebogeninventare. In: Musik und Internet: Aktuelle Phänomene populärer Kulturen, pp. 249 - 259 (Eds. Moormann, P.; Ruth, N.). Springer VS, Wiesbaden (2023)

Cohen, D. E.: "A body composed of many parts": The concept of harmony in Leonardo da Vinci’s Paragone. In: Music and visual culture in Renaissance Italy (Eds. Henry, C.; Shephard, T.). Routledge Taylor & Francis Ltd, London (2023)

Feld, S.; Jacoby, N.; Loughridge, D.; Loui, P.; Margulis, E. H.: Conversations with Steven Feld. In: The science-music borderlands: Reckoning with the past and imagining the future, pp. 367 - 383 (Eds. Margulis, E. H.; Loui, P.; Loughridge, D.). The MIT Press, Cambridge, Massachusetts (2023)

Raz, C.: Of sound minds and tuning forks: Neuroscience’s vibratory histories. In: The science-music borderlands: Reckoning with the past and imagining the future, pp. 115 - 129 (Eds. Margulis, E. H.; Loui, P.; Loughridge, D.). The MIT Press, Cambridge, Massachusetts (2023)

Savage, P. E.; Jacoby, N.; Margulis, E. H.; Daikoku, H.; Anglada-Tort, M.; Castelo-Branco, S. E.-S.; Nweke, F. E.; Fujii, S.; Hegde, S.; Chuan-Peng, H. et al.; Jabbour, J.; Lew-Williams, C.; Mangalagiu, D.; McNamara, R.; Müllensiefen, D.; Opondo, P.; Patel, A. D.; Schippers, H.: Building sustainable global collaborative networks: Recommendations from music studies and the social sciences. In: The science-music borderlands: Reckoning with the past and imagining the future, pp. 347 - 365 (Eds. Margulis, E. H.; Loui, P.; Loughridge, D.). The MIT Press, Cambridge, Massachusetts (2023)

Wald-Fuhrmann, M.: Du holde Kunst: Trost als Funktion des Musikhörens und Musizierens während der Corona-Pandemie. In: Trost: Beistand, Zuspruch und Trostgründe in der Krise, pp. 261 - 283 (Ed. Bulang , T.). Winter, Heidelberg (2023)

Pearson, L.: A social aesthetics and ethics of imperfection: Insights from Karnatak Music, Jazz and free improvisation. In: Imperfectionist aesthetics in art and everyday life (Ed. Cheyne, P.). Routledge, New York (2022)

Blohm, S.; Knoop, C. A.: Rhyme. In: An Introduction to Poetic Forms, pp. 9 - 22 (Ed. Gill, P.). Routledge, New York (2022)

Wald-Fuhrmann, M.: Coronamusic(king):Types, repertoires, consolatory function. In: Sounds of the pandemic: Accounts, experiences, perspectives in times of COVID-19, pp. 193 - 212 (Eds. Agamennone, M.; Palma, D.; Sarno, G.). Taylor & Francis, London (2022)

Blohm, S.; Knoop, C. A.: What to expect from a poem? The primacy of rhyme in college students’ conceptions of poetry. In: Rhyme and Rhyming in Verbal Art, Language, and Song, Vol. 25, pp. 264 - 276 (Eds. Sykäri, V.; Fabb, N.). Finnish Literature Society, SKS, Helsinki (2022)

Ullén, F.: Expertise and the brain of the performing artist. In: The Routledge international handbook of neuroaesthetics, pp. 526 - 538 (Eds. Skov, M.; Nadal, M.). Taylor & Francis Ltd, London (2022)

Vessel, E. A.; Ishizu, T.; Bignardi, G.: Neural correlates of visual aesthetic appeal. In: The Routledge international handbook of neuroaesthetics, pp. 103 - 133 (Eds. Skov, M.; Nadal, M.). Routledge, London (2022)

Menninghaus, W.; Blohm, S.: Empirical Aesthetics of Poetry. In: The Oxford Handbook of Empirical Aesthetics, pp. 704 - 720 (Eds. Nadal, M.; Vartanian, O.). Oxford University Press, Oxford (2022)