Contribution to a Collected edition (937)

1041.
Contribution to a Collected edition
Baliszewski , M.: Przeciwko tyranii. Republikański ideał wolności i XV-wieczny patriotyzm włoski w Historii Wirginii (ok. 1496–1500) Sandra Botticellego (Against tyranny. The republican ideal of freedom and 15th-century Italian patriotism in Sandro Botticelli’s The Story of Virginia (c. 1496–1500)). In: Botticelli tells a story. Paintings of Renaissance masters from the collection of the Accademia Carrara = Botticelli opowiada historię. Malarstwo mistrzów renesansu z kolekcji Accademia Carrara, pp. 50 - 85 (Eds. Baliszewski, M.; Rodeschini, M. C.). Arx Regia, Warschau (2022)
1042.
Contribution to a Collected edition
Balzarotti, V.: Giorgio Vasari nella cerchia farnesiana, tra pittura e storiografia. In: I Farnese: architettura, arte, potere, a cura di Simone Verde, (catalogo della mostra, Parma, Complesso Mo-numentale della Pilotta), pp. 68 - 73. Mailand (2022)
1043.
Contribution to a Collected edition
Belmonte, C.: L’arte dei luoghi del fascismo. Rimozioni, mostre e restauri. In: I luoghi del fascismo. Memoria, politica, rimozione, pp. 75 - 91 (Eds. Albanese, G.; Ceci, L.) (2022)
1044.
Contribution to a Collected edition
Borgo, F.: Ferro, carta, inchiostro. Poetica e ragioni di un progetto espositivo. In: La cittá di Vitruvio per Leonardo. Le mostre del Cinquecentenario, pp. 168 - 182 (Ed. Perissa Torrini, A.). Venedig (2022)
1045.
Contribution to a Collected edition
Borgo, F.: Callias’ Story and the Challenges of ‘Thinking Big’. Leonardo and Vitruvius Write About Scale. In: Leonardo da Vinci: l'architettura / Léonard de Vinci: l'architecture, pp. 199 - 212 (Eds. Ferretti, E.; Frommel, S.; Schlimme, H.). Rom (2022)
1046.
Contribution to a Collected edition
Borgo, F.: Scrivere verso destra: Leonardo cambia direzione. In: Decoding Leonardo’s Codices. Compilation, Dispersal, and Reproduction Technologies, pp. 53 - 75 (Eds. Nova, A.; Galluzzi, P.). Venedig (2022)
1047.
Contribution to a Collected edition
Bremenkamp, A.: Liminalità come 'condition migrante': spazio, immagine e corpo in 'Pane e cioccolata'. In: Geografie della migrazione nel cinema italiano, pp. 107 - 123 (Eds. Bremenkamp, A.; Giordana, M.; Marmo, L.; Michalsky, T.). Rom (2022)
1048.
Contribution to a Collected edition
Capulli, C.: 3D Models and Locative AR: Hidden Florence 3D and Experiments in Reconstruction. In: Hidden Cities: Urban Space, Geolocated Apps and Public History in Early Modern Europe, pp. 231 - 248 (Ed. Nevola, F.). London (2022)
1049.
Contribution to a Collected edition
Caruso, M.: Agnes and Dora Bulwer’s Photographs of Everyday Italians. In: The Idea of Italy. Photography and the British Imagination, 1840-1900, pp. 222 - 227 (Eds. Pelizzari, M. A.; Wilcox, S.). Yale University Press (2022)
1050.
Contribution to a Collected edition
Cetinić, E.: AI in the Realm of Creativity - a Source or Substitute for Inspiration? In: EthicAI=LABS, DA LAB foundation, pp. 86 - 91. Goethe Institute Bulgaria (2022)
1051.
Contribution to a Collected edition
Cicchini, E.: Legittimità della secolarizzazione. In: La modernità in questione. Studi e testi su La legittimità dell’età moderna di Hans Blumenberg, pp. 27 - 51 (Eds. Cicchini, E.; Gisondi, G.). Neapel (2022)
1052.
Contribution to a Collected edition
Cicchini, E.; Di Vita, N.: Sophron oder von der Analogie. In: Analogie: Neuere Auseinandersetzungen mit einem philosophischen Schlüsselphänomen, pp. 75 - 90 (Eds. Koch, D.; Noveanu, A.; Weidtmann, N.). Freiburg (2022)
1053.
Contribution to a Collected edition
Datli, Ş. L.: Sofonisba Anguissola und Lavinia Fontana. In: Idole & Rivalen. Künstlerischer Wettstreit in der Antike und Früher Neuzeit (Ausstellungskatalog, Wien, Kunsthistorisches Museum, 20.09.2022–08.01.2023), pp. 146 - 147 (Ed. Swoboda, G.). Berlin (2022)
1054.
Contribution to a Collected edition
Demori, L.: Touch and Absence: Giuseppe Penone’s Drawings. In: River of Forms: Giuseppe Penone’s Drawings, pp. 42 - 62 (Ed. Basualdo, C.). New Haven (2022)
1055.
Contribution to a Collected edition
Ebert-Schifferer, S.: Der Künstler, ein Fürst. Guido Renis Karriere zwischen Selbststilisierung und Spielsucht. In: Guido Reni, der Göttliche. Ausstellungskatalog Frankfurt am Main, Städelmuseum, 23.11.2022-05.03.2023, pp. 41 - 51 (Ed. Eclercy, B.). Berlin (2022)
1056.
Contribution to a Collected edition
Ende, T.: Innen-Welten. In: Gudrun Trendafilov: Arbeiten 1976 bis 2022 (Werkkatalog), pp. 173 - 175. Dresden (2022)
1057.
Contribution to a Collected edition
Ende, T.: Gedachte Bewegung im Raum / Imagined Movement in Space. In: Jean Kirsten: platonische koerper, Werkheft anlässlich der Ausstellung in der Ausstellungshalle des Forum Gestal-tung in Magdeburg,16. September bis 11. Dezember 2022, pp. 5 - 10 (Eds. Eisold, N.; Pohlmann, N.). Magdeburg (2022)
1058.
Contribution to a Collected edition
Fellmann, B.: Der Prophet aus der Südsee, oder: ʽcasse-tête chinoisʼ. Paul Gauguins Marquisien à la cape rouge zwischen ʽentarteter Kunstʼ und Völkerverbindung. In: Seismografen und Orientierungsspiegel. Bilder der Welt in kurzen Kunstgeschichten, pp. 234 - 241 (Eds. Fellmann, B.; Crasemann, L.; Hadjinicolaou, Y.). Berlin (2022)
1059.
Contribution to a Collected edition
Fellmann, B.: Multiple Schwingungen. Einleitung. In: Seismografen und Orientierungsspiegel. Bilder der Welt in kurzen Kunstgeschichten, pp. 10 - 21 (Eds. Crasemann, L.; Fellmann, B.; Hadjinicolaou, Y.). Berlin (2022)
1060.
Contribution to a Collected edition
Filippi, E.: Sul teatro del Cinquecento: il palcoscenico veneto. In: Dove ’l sì suona. Manuale di letteratura e cultura italiana, pp. 524 - 527 (Eds. Folliero-Metz, G. D.; Girardi, M. T.; Mayer, C. O.). Villa Vigoni Editore, Loveno di Menaggio (2022)
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