Brunetti, M.: Die Kunst der Antike. Meisterwerke der Münchner Antikensammlungen (2017). Athenaeum 109, pp. 742 - 743 (2021)

Ebert-Schifferer, S.: Rezension von Jonathan Bober, Piero Boccardo, Franco Boggero et al., A Superb Baroque. Art in Genoa 1600-1750, Princeton/Oxford 2020. 21: Inquiries into Art, History and the Visual – Beiträge zur Kunstgeschichte und visuellen Kultur, pp. 174 - 179 (2021)

Sander, C.: Rezension: Early Modern Disputations and Dissertations in an Interdisciplinary and European Context (Brill 2020), hg. v. Meelis Friedenthal, Hanspeter Marti, Robert Seidel. Journal of Jesuit Studies 8, pp. 520 - 522 (2021)

Scirocco, E.: Rezension: Vinni Lucherini, La Cronaca angioina dei re d’Ungheria. Uno specchio eroico e fiabesco della sovranità (Partis, Classiques Garnier, 2021). Convivium. Exchanges and Interactions in the Arts of Medieval Europe, Byzantium, and the Mediterranean, pp. 189 - 192 (2021)

Teutenberg, T.: Rezension: Barbara Wittmann, Bedeutungsvolle Kritzeleien. Eine Kultur- und Wissensgeschichte der Kinderzeichnung 1500–1950, Zürich 2018. Kunstchronik 74, pp. 562 - 570 (2021)

Tranchina, A.: Recensione: Manuela Gianandrea, Pio Francesco Pistilli, L’apogeo di Ravello nel Mediterraneo. Cultura e patronato artistico di un’élite medievale (Roma, Campisano editore 2019). Arte medievale 11, pp. 299 - 301 (2021)

Tranchina, A.: Recensione: Roland Betancourt, Byzantine intersectionality. Sexuality, gender and race in the Middle Ages. Convivium 8, pp. 193 - 197 (2021)

Varela Braga, A.: Rezension: Une antiquité moderne, hg. v. Jean-Luc Martinez, Elisabeth Le Breton, Officina Libraria 2019). Burlington Magazine 162, pp. 1097 - 1098 (2021)

Fransen, S.: Review: Dániel Margócsy, Mark Somos, and Stephen N. Joffe, "The Fabrica of Andreas Vesalius: A World-wide Descriptive Census, Ownership, and Annotations of the 1543 and 1555 Editions, Leiden et al. 2018". Isis 111, pp. 159 - 160 (2020)

Fransen, S.: Review: "Ad Vivum? Visual Materials and the Vocabulary of Life-Likeness in Europe before 1800, Lei-den/Boston 2019". 21: Inquiries into art, history and the visual, pp. 477 - 480 (2020)

Freigang, C.: Rezension von Andreas Meinecke, "Preußische Denkmalpflege im Kaiserreich. Die Provinz Brandenburg und Berlin, 1860-1918", Berlin 2019. Brandenburgische Denkmalpflege 6, pp. 96 - 97 (2020)

Freigang, C.: Rezension von Mark Crinson u. Richard J. Williams, "The Architecture of Art History. A Historiography", London e. a. 2019. Burlington Magazine 162, pp. 721 - 722 (2020)

Lo Pinto, A.: Rezension: Pietro Marcello, Martin Eden (Avventurosa et al. 2019). Italian Quarterly 57, pp. 175 - 177 (2020)

Lo Pinto, A.: Rezension: Lorenzo Marmo, Roma e il cinema del dopoguerra. Neorealismo, melodramma, noir (Bulzoni Editore 2018). Journal of Italian Cinema & Media Studies 8, pp. 155 - 157 (2020)

Mackenzie, P.: Review: Alexander Wragge-Morely, "Aesthetic Science: Representing Nature in the Royal Society of London, 1650-1720, Chicago 2020". Nunicus 35, pp. 740 - 742 (2020)

Röll, J.: "‛We think in images, not in words’ Selfies, Maskeraden, Bildwendungen und Bradley’s Arm, Rezension zu Wolfgang Ullrich, Selfies, Reihe: Digitale Bildkulturen, hg. von Annekathrin Kohout und Wolfgang Ullrich, Berlin 2019. Rundbrief Fotografie 27, pp. 54 - 56 (2020)

Röstel, A.: Rezension: "Andrea del Verrocchio in Florence and Washington". The Burlington Magazine 162, pp. 4 - 13 (2020)

Röstel, A.: Rezension: "‛Keeping their marbles’”: The Torlonia Collection. Collecting Marbles". Apollo 193, pp. 82 - 83 (2020)

Zierholz, S.: Rezension: Isabella Augart: Rahmenbilder. Konfigurationen der Verehrung im frühneuzeitlichen Italien (I Mandorli 15), Berlin/München: Deutscher Kunstverlag, 2018. Journal für Kunstgeschichte 24, pp. 268 - 274 (2020)

Bastianello, E.: Printing R-Evolution 1450-1500. Recensione della mostra al Museo Correr di Venezia. La Rivista di Engramma, 162 (2019)