Conference Paper (389)

1661.
Conference Paper
Nova, A.; Galluzzi, P.: Decoding Leonardo's codices. In: Decoding Leonardo's codices: compilation, dispersal, and reproduction technologies (Studi e ricerche ; 15 ), pp. 9 - 11 (Eds. Nova, A.; Galluzzi, P.). Decoding Leonardo's codices, Firenze, October 10, 2019 - October 12, 2019. Marsilio, Venezia (2022)
1662.
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Caraffa, C.: Choreografien des fotografischen Archivs II. Notationen und eloquentia corporis in der Photothek. In: Tanz in Bildern. Plurale Konstellationen der Fotografie (TanzScripte ; Band 66), pp. 49 - 66 (Ed. Wortelkamp, I.). Tanz in Bildern. Plurale Konstellationen der Fotografie , Online, January 28, 2021 - January 30, 2021. Transcript, Bielefeld (2022)
1663.
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Caraffa, C.; Linke, A.: Choreografien des fotografischen Archivs I. Armin Linke im Gespräch mit Costanza Caraffa. In: Tanz in Bildern. Plurale Konstellationen der Fotografie (TanzScripte ; Band 66), pp. 33 - 48 (Ed. Wortelkamp, I.). Tanz in Bildern. Plurale Konstellationen der Fotografie , Online, January 28, 2021 - January 30, 2021. Transcript, Bielefeld (2022)
1664.
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Ciappi, S.: Il vetro "verde" di Empoli e il vetro "verde" di Venezia: affinità e diversità. In: Architettura, arti applicate e industrial design negli anni della Ricostruzione postbellica toscana (1944-1966) (Quaderni del Cedacot, 6), pp. 136 - 151 (Eds. Branca, M.; Cozzi , M.). Architettura, arti applicate e industrial design negli anni della Ricostruzione postbellica toscana (1944-1966), Firenze, 2021-11. Edizioni ETS, Pisa (2022)
1665.
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Dercks, U.: "'Sehen zu lernen', das war die Devise": die Florentiner Ferienkurse von den Anfängen bis 1938. In: Lehrmedien der Kunstgeschichte: Geschichte und Perspektiven kunsthistorischer Medienpraxis (Transformationen des Visuellen ; Band 5 ), pp. 290 - 313 (Eds. Locher, H.; Männig, M.). Lehrmedien der Kunstgeschichte : Geschichte und Perspektiven kunsthistorischer Medienpraxis, Marburg, November 22, 2018 - November 24, 2018. Deutscher Kunstverlag, Berlin (2022)
1666.
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Malz, D.: Jupiter and Neptune as Emperor Charles V and Andrea I Doria: changing allusions at the Genoese court. State-rooms of royal and princely palaces (14th-16th centuries) : spaces, images, rituals , Lisbon + Sintra, March 16, 2017 - March 18, 2017. State-rooms of royal and princely palaces (14th-16th centuries): spaces, images, rituals, pp. 157 - 180, 356-357 (2022)
1667.
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Caraffa, C.: Fotografia e musei: un inizio, il presente e una finestra sul futuro. In: I 150 anni del Bargello e la cultura dei Musei nazionali in Europa nell’Ottocento (Studi e ricerche ; 14), pp. 157 - 170, 266-271 (Eds. Wolf, G.; Ciseri, I.). I 150 anni del Bargello e la cultura dei Musei nazionali in Europa nell’Ottocento, Firenze, October 30, 2015 - October 31, 2015. Marsilio, Venice (2021)
1668.
Conference Paper
Wolf, G.: Il Bargello tra I musei nazionali europei, 150+. Per una Introduzione. In: I 150 anni del Bargello e la cultura dei Musei nazionali in Europa nell’Ottocento (Studi e ricerche ; 14), pp. 11 - 15 (Eds. Wolf, G.; Ciseri, I.). I 150 anni del Bargello e la cultura dei Musei nazionali in Europa nell’Ottocento, Firenze, October 30, 2015 - October 31, 2015. Marsilio, Venice (2021)
1669.
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Baader, H.; Caraffa, C.; Linke, A.: The Archival Lives of Photographic Objects and the City as Archive. Seminar "Recomposer les archives = Reconfiguring the archives" , Online, September 27, 2021. Produire, agencer, activer des archives. Images contre images = Producing and enacting the archives. Images against images, pp. 41:36 - 1:14:38 (2021)
1670.
Conference Paper
Wolf, G.; Faietti, M.: Preface: Florence 2019 and Beyond. In: Motion: Transformation: 35th Congress of the international Committee of the History of Arts: Florence, 1-6 September 2019: Congress proceedings, Vol. 1, pp. 11 - 14 (Eds. Wolf, G.; Faietti, M.). 35th Congress of the international Committee of the History of Arts, Florence, September 01, 2019 - September 06, 2019. Bononia University Press, Bologna (2021)
1671.
Conference Paper
Wolf, G.; Faietti, M.: Beyond the Voyage. In: Motion: Transformation: 35th Congress of the international Committee of the History of Arts: Florence, 1-6 September 2019: Congress proceedings, Vol. 2, pp. 477 - 480 (Eds. Wolf, G.; Faietti, M.). 35th Congress of the international Committee of the History of Arts, Florence, September 01, 2019 - September 06, 2019. Bononia University Press, Bologna (2021)
1672.
Conference Paper
Richter, M.: Marcantonio Raimondi and fragmentary ancient statues: hypotheses on his working method and antiquarian practice. In: Sculpture in print, 1480-1600 (Brill's studies on art, art history, and intellectual history ; volume 52), pp. 95 - 123. Sculpture in print, 1480-1600 (Sessions in the framework of the 64th Annual Meeting of the Renaissance Society of America) , New Orleans, March 22, 2018 - March 24, 2018. Brill, Leiden ; Boston (2021)
1673.
Conference Paper
Richter, M.; Faietti, M.; Bloemacher, A.: "Quanto in virtù d'una ingegnosa mano / la fermezza de' marmi ai fogli cede": the art of translating sculpture into print: an introduction. In: Sculpture in print, 1480-1600 (Brill's studies on art, art history, and intellectual history ; volume 52), pp. 1 - 38. Sculpture in print, 1480-1600 (Sessions in the framework of the 64th Annual Meeting of the Renaissance Society of America) , New Orleans, March 22, 2018 - March 24, 2018. Brill, Leiden ; Boston (2021)
1674.
Conference Paper
Brennan, R.: Not an eyewitness: the art of Saint Luke in his chapel at Santa Giustina. In: Network of Cassinese Arts in Renaissance Italy, pp. 115 - 130 (Eds. Nova, A.; Periti, G.). The network of Cassinese arts in mediterranean Renaissance Italy , Florence, March 16, 2017 - March 18, 2017. Officina Libraria, Rome (2021)
1675.
Conference Paper
Caraffa, C.: The "Alinari Complex" and the Potentials of a Transition. In: On Alinari. Archive in Transition, pp. 20 - 31 (Ed. Caraffa, C.). On Alinari: international perspectives and methodological reflections, Florence, October 13, 2020. b a+mbookstore, Milan (2021)
1676.
Conference Paper
Löhr, W.-D.: "Quanta vis ...": Fragmente einer Kunsttheorie in Petrarcas "De remediis"? In: Petrarca und die bildenden Künste: Dialoge - Spiegelungen - Transformationen (Refigurationen ; Band 3 ), pp. 59 - 92 (Eds. Terzoli, Maria Antonietta; Schütze, S.). Petrarca und die bildenden Künste: Dialoge - Spiegelungen - Transformationen, Basel, October 10, 2018 - October 12, 2018. De Gruyter, Berlin ; Boston (2021)
1677.
Conference Paper
Stahlbuhk, K.: "The mode of painting with green earth [...] in the monasteries of the black monks": monochrome wall paintings and the Santa Giustina Congregation. In: Network of Cassinese Arts in Renaissance Italy, pp. 225 - 242 (Eds. Nova, A.; Periti, G.). The network of Cassinese arts in mediterranean Renaissance Italy , Florence, March 16, 2017 - March 18, 2017. Officina Libraria, Rome (2021)
1678.
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Wolf, G.; Kleiter, C.: The Falcon, the Eagle and the Owl: Raptors' and falconers' gaze between theory, practice, and art(s). In: Visual Engagements. Image Practices and Falconry, pp. 165 - 194 (Ed. Hadjinicolaou, Y.). Visual Engagements. Image Practices and Falconry, Abu Dhabi, April 04, 2018 - April 05, 2018. De Gruyter, Berlin ; Boston (2020)
1679.
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Kleiter, C.: Birds, colour, and feet: a "naïf portrait" of the Brazilian tanager in Pierre Belon’s L’Histoire de la nature des oyseaux (1555). In: Animals (Un)tamed: Human-Animal Encounters in Science, Art, and Literature, pp. 6 - 29. LUCAS Graduate Conference, Leiden, April 04, 2019 - May 05, 2019. Leiden University Centre for the Arts in Society, Leiden (2020)
1680.
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Delbé, M.: Peter Paul Rubens in Florence: Between Art, Feasts, and Diplomacy. In: Rubens e la Cultura Italiana: 1600–1608, pp. 51 - 66 (Eds. Morselli, R.; Paolini, C.). Rubens e la Cultura Italiana: 1600–1608, Rom, December 17, 2018 - December 19, 2018. Viella, Roma (2020)
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