Proceedings (75)

1621.
Proceedings
Wolf, G.; Thunø, E. (Eds.): The miraculous image in the late Middle Ages and Renaissance: papers from a conference held at the Accademia di Danimarca in collaboration with the Bibliotheca Hertziana (Max-Planck-Institut für Kunstgeschichte), Rome, 31 May - 2 June 2003 (Analecta Romana Instituti Danici: Supplementa, 35). The miraculous image in the late Middle Ages and Renaissance, Rome, May 31, 2003 - June 02, 2003. "L'Erma" di Bretschneider, Rome (2004), 320 pp.
1622.
Proceedings
Pfisterer, U.; Seidel, M. (Eds.): Visuelle Topoi: Erfindung und tradiertes Wissen in den Künsten der italienischen Renaissance (Italienische Forschungen des Kunsthistorischen Institutes in Florenz, 4. Folge, 3). Visuelle Topoi : Erfindung und tradiertes Wissen in den Künsten der italienischen Renaissance, Firenze, May 08, 2000 - May 11, 2000. Deutscher Kunstverlag, München [u.a.] (2003), 456 pp.
1623.
Proceedings
Ghelardi, M.; Seidel, M. (Eds.): Jacob Burckhardt: storia della cultura, storia dell'arte ; convegno del Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Firenze, 25 - 27 ottobre 1999 (Collana del Kunsthistorisches Institut in Florenz, 6). Jacob Burckhardt : storia della cultura, storia dell'arte, Firenze, October 25, 1999 - October 27, 1999. Marsilio, Venezia (2002), 297 pp.

Proceedings - PhD (1)

1624.
Proceedings - PhD
Haug, H.; Bushart, M. (Eds.): Formlos – formbar: Bronze als künstlerisches Material (Interdependenzen ; Band 2). Formlos - formbar. Das Material Bronze zwischen Möglichkeit und Herausforderung, Berlin, June 06, 2013 - June 08, 2013. Böhlau, Köln ; Weimar ; Wien (2016), 270 pp.

Conference Paper (379)

1625.
Conference Paper
Caraffa, C.: Fotografia e musei: un inizio, il presente e una finestra sul futuro. In: I 150 anni del Bargello e la cultura dei Musei nazionali in Europa nell’Ottocento (Studi e ricerche ; 14), pp. 157 - 170, 266-271 (Eds. Wolf, G.; Ciseri, I.). I 150 anni del Bargello e la cultura dei Musei nazionali in Europa nell’Ottocento, Firenze, October 30, 2015 - October 31, 2015. Marsilio, Venice (2021)
1626.
Conference Paper
Wolf, G.: Il Bargello tra I musei nazionali europei, 150+. Per una Introduzione. In: I 150 anni del Bargello e la cultura dei Musei nazionali in Europa nell’Ottocento (Studi e ricerche ; 14), pp. 11 - 15 (Eds. Wolf, G.; Ciseri, I.). I 150 anni del Bargello e la cultura dei Musei nazionali in Europa nell’Ottocento, Firenze, October 30, 2015 - October 31, 2015. Marsilio, Venice (2021)
1627.
Conference Paper
Baader, H.; Caraffa, C.; Linke, A.: The Archival Lives of Photographic Objects and the City as Archive. Seminar "Recomposer les archives = Reconfiguring the archives" , Online, September 27, 2021. Produire, agencer, activer des archives. Images contre images = Producing and enacting the archives. Images against images, pp. 41:36 - 1:14:38 (2021)
1628.
Conference Paper
Wolf, G.; Faietti, M.: Preface: Florence 2019 and Beyond. In: Motion: Transformation: 35th Congress of the international Committee of the History of Arts: Florence, 1-6 September 2019: Congress proceedings, Vol. 1, pp. 11 - 14 (Eds. Wolf, G.; Faietti, M.). 35th Congress of the international Committee of the History of Arts, Florence, September 01, 2019 - September 06, 2019. Bononia University Press, Bologna (2021)
1629.
Conference Paper
Wolf, G.; Faietti, M.: Beyond the Voyage. In: Motion: Transformation: 35th Congress of the international Committee of the History of Arts: Florence, 1-6 September 2019: Congress proceedings, Vol. 2, pp. 477 - 480 (Eds. Wolf, G.; Faietti, M.). 35th Congress of the international Committee of the History of Arts, Florence, September 01, 2019 - September 06, 2019. Bononia University Press, Bologna (2021)
1630.
Conference Paper
Richter, M.: Marcantonio Raimondi and fragmentary ancient statues: hypotheses on his working method and antiquarian practice. In: Sculpture in print, 1480-1600 (Brill's studies on art, art history, and intellectual history ; volume 52), pp. 95 - 123. Sculpture in print, 1480-1600 (Sessions in the framework of the 64th Annual Meeting of the Renaissance Society of America) , New Orleans, March 22, 2018 - March 24, 2018. Brill, Leiden ; Boston (2021)
1631.
Conference Paper
Richter, M.; Faietti, M.; Bloemacher, A.: "Quanto in virtù d'una ingegnosa mano / la fermezza de' marmi ai fogli cede": the art of translating sculpture into print: an introduction. In: Sculpture in print, 1480-1600 (Brill's studies on art, art history, and intellectual history ; volume 52), pp. 1 - 38. Sculpture in print, 1480-1600 (Sessions in the framework of the 64th Annual Meeting of the Renaissance Society of America) , New Orleans, March 22, 2018 - March 24, 2018. Brill, Leiden ; Boston (2021)
1632.
Conference Paper
Brennan, R.: Not an eyewitness: the art of Saint Luke in his chapel at Santa Giustina. In: Network of Cassinese Arts in Renaissance Italy, pp. 115 - 130 (Eds. Nova, A.; Periti, G.). The network of Cassinese arts in mediterranean Renaissance Italy , Florence, March 16, 2017 - March 18, 2017. Officina Libraria, Rome (2021)
1633.
Conference Paper
Caraffa, C.: The "Alinari Complex" and the Potentials of a Transition. In: On Alinari. Archive in Transition, pp. 20 - 31 (Ed. Caraffa, C.). On Alinari: international perspectives and methodological reflections, Florence, October 13, 2020. b a+mbookstore, Milan (2021)
1634.
Conference Paper
Löhr, W.-D.: "Quanta vis ...": Fragmente einer Kunsttheorie in Petrarcas "De remediis"? In: Petrarca und die bildenden Künste: Dialoge - Spiegelungen - Transformationen (Refigurationen ; Band 3 ), pp. 59 - 92 (Eds. Terzoli, Maria Antonietta; Schütze, S.). Petrarca und die bildenden Künste: Dialoge - Spiegelungen - Transformationen, Basel, October 10, 2018 - October 12, 2018. De Gruyter, Berlin ; Boston (2021)
1635.
Conference Paper
Stahlbuhk, K.: "The mode of painting with green earth [...] in the monasteries of the black monks": monochrome wall paintings and the Santa Giustina Congregation. In: Network of Cassinese Arts in Renaissance Italy, pp. 225 - 242 (Eds. Nova, A.; Periti, G.). The network of Cassinese arts in mediterranean Renaissance Italy , Florence, March 16, 2017 - March 18, 2017. Officina Libraria, Rome (2021)
1636.
Conference Paper
Wolf, G.; Kleiter, C.: The Falcon, the Eagle and the Owl: Raptors' and falconers' gaze between theory, practice, and art(s). In: Visual Engagements. Image Practices and Falconry, pp. 165 - 194 (Ed. Hadjinicolaou, Y.). Visual Engagements. Image Practices and Falconry, Abu Dhabi, April 04, 2018 - April 05, 2018. De Gruyter, Berlin ; Boston (2020)
1637.
Conference Paper
Kleiter, C.: Birds, colour, and feet: a "naïf portrait" of the Brazilian tanager in Pierre Belon’s L’Histoire de la nature des oyseaux (1555). In: Animals (Un)tamed: Human-Animal Encounters in Science, Art, and Literature, pp. 6 - 29. LUCAS Graduate Conference, Leiden, April 04, 2019 - May 05, 2019. Leiden University Centre for the Arts in Society, Leiden (2020)
1638.
Conference Paper
Delbé, M.: Peter Paul Rubens in Florence: Between Art, Feasts, and Diplomacy. In: Rubens e la Cultura Italiana: 1600–1608, pp. 51 - 66 (Eds. Morselli, R.; Paolini, C.). Rubens e la Cultura Italiana: 1600–1608, Rom, December 17, 2018 - December 19, 2018. Viella, Roma (2020)
1639.
Conference Paper
Delbé, M.: Rubens am Scheideweg. Seine Italienreise im Spiegel (neo)stoischer Vorstellungen des Reisens und frühneuzeitlicher Reiseliteratur. In: Künstlerreisen. Fallbeispiele vom Mittelalter bis zur Gegenwart (Kunsthistorisches Forum Irsee ; 7), pp. 65 - 78 (Eds. Tacke, A.; Münch, B. U.; Herzog, M.; Heudecker , S.; Schauerte , T.). 7. Frühjahrsakademie des Kunsthistorischen Forums Irsee, Irsee, April 12, 2019 - April 14, 2019. Michael Imhof Verlag, Petersberg (2020)
1640.
Conference Paper
Elsner, J.: Imagining the Artemidorus Papyrus: Some Problems with the Digital Archaeology of Pictures. In: Photography and imagination (Routledge history of photography ; 6), pp. 52 - 68 (Eds. Morris-Reich, A.; Olin, M.). Photography and imagination, Tel Aviv, 2014. Routledge, Taylor & Francis Group, New York ; London (2020)
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