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8, pp. 144 - 170 (2017)
Scribal practices in Arabic manuscripts from Ethiopia. The aǧamization of some ʿ scribal practices in fuṣḥā and ʿaǧamī manuscripts from Harar. Islamic Africa 22.
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83 (2), pp. 293 - 447 (2017)
Le miniature del Vangelo arabo della Biblioteca Medicea Laurenziana di Firenze, codice Orientali 387 (Mardin, 1299 d.C.). Orientalia Christiana Periodica 23.
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7, pp. 395 - 403 (2017)
The (R)Evolution of modern Italian painting: divisionism and its influence on the Futurist Avant-garde (Review of: I pittori della luce: dal Divisionismo al Futurismo). International yearbook of futurism studies 24.
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70 (1), pp. 14 - 19 (2017)
Der Vater des Disegno? Kunstchronik: Monatsschrift für Kunstwissenschaft, Museumswesen und Denkmalpflege 25.
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75, pp. 175 - 208 (2017)
Giovanni of Capestrano as novus Bernardinus. An attempt in iconography and relics. Franciscan Studies 26.
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21.2016=Nr.22, pp. 25 - 35 (2017)
A project by Peruzzi for the Chapel of Saint Helena in Santa Croce in Gerusalemme. Nuovi studi: rivista di arte antica e moderna 27.
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58 (3), pp. 421 - 423 (2017)
Peter Anselm Riedl (1930-2016). Mitteilungen des Kunsthistorischen Institutes in Florenz 28.
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161/162(2016), pp. 157 - 186 (2017)
Un "ignoto corrispondente", Lanzi e la quadreria di Pommersfelden: sull'avvio (e sul percorso) di Roberto Longhi come conoscitore. Prospettiva: rivista di storia dell'arte antica e moderna 29.
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39(2016), pp. 67 - 81 (2017)
Pittura tra Pisa e Lucca al principio del Quattrocento: alcuni casi dello stile "gotico internazionale". Predella 30.
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2017,2, pp. 335 - 336 (2017)
[Review of:] Futurist painting sculpture (plastic dynamism) / Umberto Boccioni ; introduction by Maria Elena Versari. - Los Angeles, California: Getty Research Institute, 2016. Nuova informazione bibliografica; Soc. Ed. Il Mulino, Bologna 31.
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18 (10), p. 0 - 0 (2017)
[Review of:] Der unschuldige Blick: Leni Riefenstahls Nuba-Fotografien / Gisela Schäffer. - Berlin ; München: Deutscher Kunstverlag, 2016. Kunstform 32.
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59 (2), pp. 175 - 201 (2017)
Charles V, Bartolomé Ordóñez, and the tomb of Joanna of Castile and Philip of Burgundy in Granada: an iconographical perspective of a major royal monument of Renaissance Europe. Mitteilungen des Kunsthistorischen Institutes in Florenz 33.
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62 (2), p. 0 - 0 (2017)
Berensonian Formalism and Pragmatist Perception. Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft; Meiner, Hamburg 34.
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April, pp. 1 - 18 (2017)
Revisiting David Summers's Real Spaces: a neo-pragmatist interpretation. World Art; Routledge, London 35.
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33 (1), pp. 18 - 34 (2017)
Depicting Berkeleyan Idealism: a study of two portraits by John Smibert. Word & image: a journal of verbal visual enquiry 36.
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Bd. 12, pp. 187-189 - 189 (2017)
"Operation Bodysnatch": Friedrich der Große und Paul von Hindenburg in Marburg. Jahrbuch für den Landkreis Marburg-Biedenkopf 37.
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17 (1), pp. 60 - 62 (2017)
Kunstsammelstelle Staatsarchiv: der Marburg Central Collecting Point. Archivnachrichten aus Hessen 38.
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21 (2), pp. 150 - 159 (2017)
I tre mausolei di Lenin di Aleksej Viktorovicˇ Šcusev = The three Mausoleums for Lenin by Aleksej Viktorovicˇ Šcusev. Firenze Architettura 39.
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152 (2283), pp. 63 - 81 (2017)
Luigi Dallapiccola e il balletto. Da Henri Matisse ad Aurel M. Milloss. Nuova Antologia 40.
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45(2016) (1), pp. 27 - 32 (2017)
Idol and Face: Thomas Tuke's Puritan Discourse on Face Painting and Idolatry. Kritische Berichte: Zeitschrift für Kunst- und Kulturwissenschaften ; Mitteilungsorgan des Ulmer Vereins - Verband für Kunst- und Kulturwissenschaften e.V.