Book Chapter (52)

121.
Book Chapter
Arjava, H.; Kentner, G.: Alignment of prosodic weight and musical length in Finnish vocal music textsetting. In: How Language Speaks to Music. Prosody from a Cross-domain Perspective, Vol. 583, pp. 161 - 190 (Eds. Scharinger, M.; Wiese, R.). De Gruyter. doi:10.1515/9783110770186-007, Berlin, Boston (2022)
122.
Book Chapter
Larrouy-Maestri, P.; Poeppel, D.; Pfordresher, P. Q.: Pitch units in music and speech prosody. In: How language speaks to music, pp. 17 - 42 (Eds. Scharinger, M.; Wiese, R.). De Gruyter, Berlin, Boston (2022)
123.
Book Chapter
Willemsen, S.; Bálint, K.; Hakemulder, F.; Kiss, M.; Konijn, E.; Fayn, K.: Who likes complex films? Personality and preferences for narrative complexity. In: Puzzling Stories: The Aesthetic Appeal of Cognitive Challenge in Film, Television and Literature, pp. 355 - 383 (Eds. Willemsen, S.; Kiss, M.). Berghahn (2022)
124.
Book Chapter
Willemsen, S.; Kiss, M.: Introduction: Puzzling Stories. In: Puzzling Stories: The Aesthetic Appeal of Cognitive Challenge in Film, Television and Literature, pp. 1 - 12 (Eds. Willemsen, S.; Kiss, M.). Berghahn (2022)
125.
Book Chapter
Schoof, K.: Die Hochschulbibliothek als Lernort: Zugänge und Befunde einer ethnografischen Nutzungsforschung. In: Ethnografie der Hochschule: Zur Erforschung universitärer Praxis, pp. 151 - 172 (Eds. Meyer, D.; Reuter, J.; Berli, O.). transcript, Bielefeld (2022)
126.
Book Chapter
Cohen, D. E.: Latet Discordantia Quartae»: An early natural-scientific explanation of upper-voice fourths by Franchinus Gaffurius. In: Music and science from Leonardo to Galileo, pp. 3 - 19 (Ed. Rasch, R.). Brepols, Turnhout (2022)
127.
Book Chapter
Grüny, C.: Musik Sprache Propaganda. In: Verflechtungen: Musik und Sprache in der Gegenwart, pp. 17 - 28 (Eds. Schmitt-Weidmann, K.; Lessing, W.). Schott Music, Mainz (2022)
128.
Book Chapter
Wald-Fuhrmann, M.: Musikwissenschaft. In: MGG Online (Ed. Lütteken , L.). Kassel (2022)
129.
Book Chapter
Pearson, L.: Inscription, gesture, and social relations: Notation in Karnatak music. In: Material cultures of music notation: New perspectives on musical inscription, pp. 139 - 151 (Eds. Schuiling, F.; Payne, E.). Taylor & Francis Ltd, London (2022)
130.
Book Chapter
Menninghaus, W.: „Zu den schönsten vor Allen in der Schweiz“: Der erste Satz des Grünen Heinrich. In: Kellers Medien: Formen – Genres – Institutionen, Vol. 2, pp. 17 - 25 (Ed. Berndt, F.). De Gruyter (2022)
131.
Book Chapter
Grüny, C.: Seltsam attraktiv: KI und Musikproduktion. In: Begegnungen mit künstlicher Intelligenz: Intersubjektivität, Technik, Lebenswelt, pp. 174 - 204 (Eds. Schnell, M. W.; Nehlsen, L.). Velbrück Wissenschaft, Weilerswist (2022)
132.
Book Chapter
London, J.; Jacoby, N.; Polak, R.: Theoretical and practical aspects of cross-cultural corpus studies: Two case studies from Mali. In: The Oxford Handbook of music and corpus studies (Eds. Shanahan, D.; Burgoyne, J. A.; Quinn, I.). Oxford University Press (2022)
133.
Book Chapter
Vessel, E. A.; Starr, G. G.: Imaging the subjective. In: Brain, beauty, and art: Essays bringing neuroaesthetics into focus, pp. 117 - 121 (Eds. Chatterjee, A.; Cardilo, E.). Oxford University Press, New York (2022)
134.
Book Chapter
Vessel, E. A.; Yue, X.; Biederman, I.: Scene preferences, aesthetic appeal, and curiosity: Revisiting the neurobiology of the infovore. In: Brain, beauty, and art: Essays bringing neuroaesthetics into focus, pp. 61 - 65 (Eds. Chatterjee, A.; Cardilo, E.). Oxford University Press, New York (2022)
135.
Book Chapter
Kentner, G.: Phonetik und Phonologie des Deutschen. In: Linguistik im Sprachvergleich: Germanistik – Romanistik – Anglistik, pp. 3 - 25 (Eds. Klabunde, R.; Mihatsch, W.; Dipper, S.). Springer, Berlin (2022)
136.
Book Chapter
Kentner, G.: Do not repeat: Repetition and reduplication in German revisited. In: Extravagant Morphology: Studies in rule-bending, pattern-extending and theory-challenging morphology, pp. 181 - 206 (Ed. Eitelmann, M.). John Benjamins Publishing Company, Amsterdam (2022)
137.
Book Chapter
Grüny, C.: Material und Ort: Rehabilitation einer kritischen Kategorie. In: Ästhetik nach Adorno: Positionen zur Gegenwartskunst, pp. 49 - 64 (Eds. Becker, R.; Hagen, D.; von Samson , L.). Verbrecher, Berlin (2022)
138.
Book Chapter
Polak, R.: Non-isochronous metre in music from Mali. In: The Oxford Handbook of time in music, pp. 252 - 274 (Eds. Doffman , M.; Payne, E.; Young, T.). Oxford University Press, New York, NY (2022)
139.
Book Chapter
Polak, R.; London, J.: Tempo, meter, and form: An analysis of "Dansa" from Mali. In: Trends in world music analysis: New directions in world music analysis, pp. 143 - 158 (Eds. Shuster, L. B.; Mukherji, S.; Dinnerstein, N.). Routledge, London (2022)
140.
Book Chapter
Grüny, C.: Der Mythos des inneren Lebens: Susanne K. Langer über die Rolle der Musik für unser Selbstverständnis. In: Musik und Subjektivität: Beiträge aus Musikwissenschaft, Musikphilosophie und kompositorischer Praxis, pp. 187 - 207 (Eds. Feige , D. M.; zur Nieden, G.). transcript Verlag, Bielefeld (2022)
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