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Wald-Fuhrmann, M.: Die Bedeutung von Musiksammlungen für die Entstehung der Musikwissenschaft. In: Sammeln – Musizieren – Forschen. Zur Dresdner höfischen Musik des 18. Jahrhunderts: Bericht über das internationale Kolloquium vom 21. bis 23. Januar 2016, pp. 1 - 16 (Ed. SLUB Dresden). Sammeln – Musizieren – Forschen. Zur Dresdner höfischen Musik des 18. Jahrhunderts, Dresden, January 21, 2016 - January 23, 2016. Dresden (2020)

Franz, I.; Bader, M.; Domahs, F.; Kentner, G.: Influences of rhythm on word order in German. In: 10th International Conference on Speech Prosody, pp. 385 - 388. Proceedings 10th International Conference on Speech Prosody, Tokyo, Tokyo, May 27, 2020. (2020)

Sharma, N.; Krishnamohan, V.; Ganapathy, S.; Gangopadhayay, A.; Fink, L.: On the impact of language familiarity in talker change detection. In: 2020 IEEE InternationalConference on Acoustics, Speech,and Signal Processing: Proceedings, pp. 6249 - 6253 (Ed. The Institute of Electrical and Electronics EngineersSignal Processing Society). 2020 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), Barcelona, Spain , May 04, 2020 - May 08, 2020. (2020)

Haider, T.; Eger, S.; Kim, E.; Klinger, R.; Menninghaus, W.: PO-EMO: Conceptualization, Annotation, and Modeling of Aesthetic Emotions in German and English Poetry. In: International Conference on Language Resources and Evaluation (LREC). International Conference on Language Resources and Evaluation (LREC) , Marseille, May 11, 2020 - May 16, 2020. (2020)

Haider, T.: Diachronic Topics in New High German Poetry. International Digital Humanities Conference DH2019, Utrecht, Utrecht, July 08, 2019 - July 12, 2019. Proceedings of the International Digital Humanities Conference DH2019, Utrecht, https://dev.clariah.nl/files/dh2019/boa/1031.html, (2019)

Haider, T.; Eger, S.: Semantic Change and Emerging Tropes In a Large Corpus of New High German Poetry. In: Proceedings of the 1st International Workshop on Computational Approaches to Historical Language Change, Florence. https://www.aclweb.org/anthology/W19-4727, pp. 216 - 222. Proceedings of the 1st International Workshop on Computational Approaches to Historical Language Change. At ACL 2019, Florence. https://www.aclweb.org/anthology/W19-4727, Florence, August 02, 2019. (2019)

Haider, T.; Kuhn, J.: Supervised Rhyme Detection with Siamese Recurrent Networks. In: Proceedings of the Second Joint SIGHUM Workshop on Computational Linguistics for Cultural Heritage, Social Sciences, Humanities and Literature, pp. 81 - 86 (Eds. Alex, B.; Degaetano-Ortlieb, S.; Feldman, A.; Kazantseva, A.; Reiter, N. et al.). The 27th International Conferenceon Computational Linguistics, Santa Fe, New Mexico, USA, August 25, 2018. (2018)

Wiesecke, J.: Samuel Pepys and his experiences of music at Restoration theatres. In: Listening to music: People, practices and experiences (Eds. Barlow, H.; Rowland, D.). Listening Experience Database (LED) conference, London, October 24, 2015 - October 25, 2015. (2017)

Haider, T.; Palmer, A.: Modeling Communicative Purpose with Functional Style: Corpus and Features for German Genre and Register Analysis. In: Proceedings of the Workshop on Stylistic Variation, EMNLP 2017, pp. 74 - 84. Association for Computational Linguistics, Copenhagen, Stroudsburg, PA (2017)

Greb, F.; Schlotz, W.; Steffens, J.: How do the functions of music listening vary across situations and persons? In: Proceedings of the International Conference of Students of Systematic Musicology 16: Programme, abstracts & proceedings (Eds. Burger, B.; Bamford, J.; Carlson, E.). The 9th International Conference of Students of Systematic Musicology (SysMus16), Jyväskylä, June 08, 2016 - June 10, 2016. Department of Music, University of Jyväskylä & Finnish Centre for Interdisciplinary Music Research, Jyväskylä (2016)

Lindau, A.; Seibert, C.; Greb, F.; Wald-Fuhrmann, M.: The ArtLab of the Max Plank Institute for Empirical Aesthetics: Technical conception and envisaged research questions. In: Fortschritte der Akustik: Tagungsband der 42. Jahrestagung für Akustik DAGA (Eds. Vorländer, M.; Fels, J.). 42. Jahrestagung für Akustik DAGA, Aachen, March 14, 2016 - March 17, 2016. (2016)

Wald-Fuhrmann, M.: „Musiace veteris specimen": Falsche und fehlende Exempla in der Musik. In: Rezeption, Zeitgeist, Fälschung – Umgang mit Antike(n): Akten des Internationalen Kolloquiums am 31. Januar und 1. Februar 2014 in Tübingen, pp. 155 - 166 (Ed. Zimmer, K.). Leidorf, Rahden, Westf. (2015)

Bär, C.: Verbalization of music and sound between poeticity and aesthetic evaluation. In: Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics, pp. 78 - 84 (Ed. Kozbelt, A.). The Twenty-third biennial Congress of the Interntational Association of Empirical Aesthetics, New York City, August 22, 2014 - August 24, 2014. (2014)

Greb, F.; Elvers, P.; Fischinger, T.: Trends in empirical aesthetics: A review of the journal of Empirical Studies of the Arts with emphasis on music-related papers. In: Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics, pp. 238 - 243 (Ed. Kozbelt, A.). The Twenty-third Biennial Congress of the International Association of Empirical Aesthetics, New York, August 22, 2014 - August 24, 2014. (2014)

Ruccius, A.: Empirical studies including noise of two leading journals in music research: A review. In: Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics, pp. 568 - 570 (Ed. Kozbelt, A.). The Twenty-third biennial Congress of the Interntational Association of Empirical Aesthetics, New York City , August 22, 2014 - August 24, 2014. (2014)

Wald-Fuhrmann, M.; Seibert, C.; Fischinger, T.; Greb, F.; Wiesecke, J.; Lange, E. B.: „Touch when you’re singing“?: On the possible effects of body contact in ensemble singing. In: Proceedings of the Twenty-third Biennial Congress of the International Association of Empirical Aesthetics, pp. 408 - 414 (Ed. Kozbelt, A.). The Twenty-third Biennial Congress of the International Association of Empirical Aesthetics, New York, August 22, 2014 - August 24, 2014. (2014)

Wei, H.; Sammler, D.; Scharinger, M.; Domahs, U.: Effects of lexical tone on the prosodic marking of vocal emotions in Mandarin Chinese. In Sprache & Einstellung, p. 90 - 90. 46. Jahrestagung der Deutschen Gesellschaft für Sprachwissenschaft (DGfS): Sprache & Einstellung, Bochum, February 28, 2024 - March 01, 2024. Ruhr Universität Bochum, Bochum (2024)

Pearson, L.; Nuttall, T.; Pouw, W.: Motif-gesture clustering in Karnatak vocal performance: A multimodal computational music analysis. In The e-proceedings of the 17th International Conference on Music Perception and Cognition and the 7th Conference of the Asia-Pacific Society for the Cognitive Sciences of Music, p. 117 - 117 (Eds. Tsuzaki, M.; Sadakata, M.; Ikegami, S.; Matsui, T.; Okano, M. et al.). ICMPC17-APSCOM7, Tokyo, August 24, 2023 - August 28, 2023. College of Art, Nihon University, Tokyo (2023)

Conwell, C.; Graham, D.; Konkle, T.; Vessel, E. A.: Purely perceptual machines robustly predict human visual arousal, valence, and aesthetics. In Journal of Vision, 22, 4266. Scholar One, Inc., Charlottesville, VA (2022)