Menninghaus, W.; Bohrn, I. C.; Altmann, U.; Lubrich, O.; Jacobs, A. M.: Sounds funny? Humor effects of phonological and prosodic fgures of speech. Psychology of Aesthetics, Creativity, and the Arts 8 (1), pp. 71 - 76 (2014)

Wagner, V.; Menninghaus, W.; Hanich, J.; Jacobsen, T.: Art schema effects on affective experience: The case of disgusting images. Psychology of Aesthetics, Creativity, and the Arts 8 (2), pp. 120 - 129 (2014)

Seehausen, M.; Kazzer, P.; Bajbouj, M.; Heekeren, H.R.; Jacobs, A. M.; Klann-Delius, G.; Menninghaus, W.; Prehn, K.: Talking about social conflict in the MRI scanner: Neural correlates of being empathized with. NeuroImage: Clinical 84 (0), pp. 951 - 961 (2014)

Menninghaus, W.: Walter Benjamin's variations of imagelessness. Critical Horizons 14 (3), pp. 407 - 428 (2013)

Menninghaus, W.: Nackte Haut, Imagination und Geheimnis: Menschliche Schönheit in evolutionärer Perspektive. Sull’Emozione 29, pp. 67 - 77 (2013)

Menninghaus, W.: Música y retórica en la teoría di Darwin. Literatura: Teoria, historica, critica 15 (1), pp. 249 - 280 (2013)

Matejka, M.; Kazzer, P.; Seehausen, M.; Bajbouj, M.; Klann-Delius, G.; Menninghaus, W.; Jacobs, A. M.; Heekeren, H. R.; Prehn, K.: Talking about emotion: Prosody and skin conductance indicate emotion regulation. Frontiers in Psychology 4, 260 (2013)

Grande, J.; Raz, C. (Eds.): Sound and sense in British Romanticism. Cambridge University Press, Cambridge (2023), 288 pp.

Wörner, F.; Wald-Fuhrmann, M. (Eds.): Lexikon Schriften über Musik: Vol. 2. Musikästhetik in Europa und Nordamerika. Bärenreiter/Metzler, Kassel, Stuttgart (2022), 962 pp.

Willemsen, S.; Miklós, K. (Eds.): Puzzling Stories: The Aesthetic Appeal of Cognitive Challenge in Film, Television and Literature. Berghahn (2022)

Hansen, N. C.; Wald-Fuhrmann, M.; Davidson, J. W. (Eds.): Social convergence in times of spatial distancing: The rRole of music during the COVID-19 Pandemic. Frontiers Media SA, Lausanne (2022), 634 pp.

Auksztulewicz, R.; Garrido, M. I.; Malmierca, M. S.; Tavano, A.; Todd, J.; Winkler, I. (Eds.): Sensing the world through predictions and errors. Frontiers Media SA., Lausanne (2022)

Wörner, F.: Konzeptualisierung von Form in Musik: Aspekte von Formvorstellungen tonaler Musik vom 19. bis zum 21. Jahrhundert. Schwabe Verlag, Basel (2021), 431 pp.

Pöhls, R. L. V.; Utudji, M. (Eds.): Powerful Prose - How Textual Features Impact Readers. Transcript, Bielefeld (2021)

Menninghaus, W.: Darwin igo no bigaku: Geijutsu no kigen to kinou no fukugousei (= Japanese translation of Aesthetics after Darwin - The multiple origins and functions of the arts). Hosei University Press, (S. Ito, Trans.). Tokyo (2020)

Hamilton, A.; Pearson, L. (Eds.): The aesthetics of imperfection in music and the arts: Spontaneity, flaws and the unfinished. Bloomsbury Academic, London (2020), 416 pp.

Sakamoto, Y.; Jäger, F.; Tanaka, J. (Eds.): Bilder als Denkformen: Bildwissenschaftliche Dialoge zwischen Japan und Deutschland. De Gruyter, Berlin (2020), 240 pp.

Kentner, G.; Kremers, J. (Eds.): Prosody in Syntactic Encoding. De Gruyter, Berlin, Boston (2020)

Poeppel, D.; Mangun, G. R.; Gazzaniga, M. S. (Eds.): The cognitive neurosciences. MIT Press, Cambridge, USA (2020), 1152 pp.

Lütteken , L.; Wald-Fuhrmann, M. (Eds.): Kunst und Leben? Wagners Tristan und Isolde zwischen Biografie und Drama. Königshausen & Neumann, Würzburg (2020), 238 pp.