Proceedings (69)

1581.
Proceedings
Aikema, B.; Lauber, R.; Seidel, M. (Eds.): Il collezionismo a Venezia e nel Veneto ai tempi della Serenissima: convegno del Kunsthistorisches Institut in Florenz Max-Planck-Institut, Venezia, 21 – 25 settembre 2003 (Collana del Kunsthistorisches Institut in Florenz, 10). Il collezionismo a Venezia e nel Veneto ai tempi della Serenissima, Venezia, September 21, 2003 - September 25, 2003. Marsilio, Venezia (2005), 393 pp.
1582.
Proceedings
Wolf, G.; Endres, J.; Wittmann, B. (Eds.): Ikonologie des Zwischenraums: der Schleier als Medium und Metapher. Schleier: Bild, Text, Ritual, Trier, November 29, 2001 - December 02, 2001. Fink, München (2005), XVII, 419 pp.
1583.
Proceedings
Wolf, G.; Thunø, E. (Eds.): The miraculous image in the late Middle Ages and Renaissance: papers from a conference held at the Accademia di Danimarca in collaboration with the Bibliotheca Hertziana (Max-Planck-Institut für Kunstgeschichte), Rome, 31 May - 2 June 2003 (Analecta Romana Instituti Danici: Supplementa, 35). The miraculous image in the late Middle Ages and Renaissance, Rome, May 31, 2003 - June 02, 2003. "L'Erma" di Bretschneider, Rome (2004), 320 pp.
1584.
Proceedings
Pfisterer, U.; Seidel, M. (Eds.): Visuelle Topoi: Erfindung und tradiertes Wissen in den Künsten der italienischen Renaissance (Italienische Forschungen des Kunsthistorischen Institutes in Florenz, 4. Folge, 3). Visuelle Topoi : Erfindung und tradiertes Wissen in den Künsten der italienischen Renaissance, Firenze, May 08, 2000 - May 11, 2000. Deutscher Kunstverlag, München [u.a.] (2003), 456 pp.
1585.
Proceedings
Ghelardi, M.; Seidel, M. (Eds.): Jacob Burckhardt: storia della cultura, storia dell'arte ; convegno del Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Firenze, 25 - 27 ottobre 1999 (Collana del Kunsthistorisches Institut in Florenz, 6). Jacob Burckhardt : storia della cultura, storia dell'arte, Firenze, October 25, 1999 - October 27, 1999. Marsilio, Venezia (2002), 297 pp.

Proceedings - PhD (1)

1586.
Proceedings - PhD
Haug, H.; Bushart, M. (Eds.): Formlos – formbar: Bronze als künstlerisches Material (Interdependenzen ; Band 2). Formlos - formbar. Das Material Bronze zwischen Möglichkeit und Herausforderung, Berlin, June 06, 2013 - June 08, 2013. Böhlau, Köln ; Weimar ; Wien (2016), 270 pp.

Conference Paper (367)

1587.
Conference Paper
Wolf, G.; Kleiter, C.: The Falcon, the Eagle and the Owl: Raptors' and falconers' gaze between theory, practice, and art(s). In: Visual Engagements. Image Practices and Falconry, pp. 165 - 194 (Ed. Hadjinicolaou, Y.). Visual Engagements. Image Practices and Falconry, Abu Dhabi, April 04, 2018 - April 05, 2018. De Gruyter, Berlin ; Boston (2020)
1588.
Conference Paper
Kleiter, C.: A "naïf portrait" of the Brazilian tanager in Pierre Belon’s L’Histoire de la nature des oyseaux (1555). In: Animals (Un)tamed: Human-Animal Encounters in Science, Art, and Literature, pp. 6 - 29. LUCAS Graduate Conference, Leiden, April 04, 2019 - May 05, 2019. Leiden University Centre for the Arts in Society, Leiden (2020)
1589.
Conference Paper
Delbé, M.: Peter Paul Rubens in Florence: Between Art, Feasts, and Diplomacy. In: Rubens e la Cultura Italiana: 1600–1608, pp. 51 - 66 (Eds. Morselli, R.; Paolini, C.). Rubens e la Cultura Italiana: 1600–1608, Rom, December 17, 2018 - December 19, 2018. Viella, Roma (2020)
1590.
Conference Paper
Delbé, M.: Rubens am Scheideweg. Seine Italienreise im Spiegel (neo)stoischer Vorstellungen des Reisens und frühneuzeitlicher Reiseliteratur. In: Künstlerreisen. Fallbeispiele vom Mittelalter bis zur Gegenwart (Kunsthistorisches Forum Irsee ; 7), pp. 65 - 78 (Eds. Tacke, A.; Münch, B. U.; Herzog, M.; Heudecker , S.; Schauerte , T.). 7. Frühjahrsakademie des Kunsthistorischen Forums Irsee, Irsee, April 12, 2019 - April 14, 2019. Michael Imhof Verlag, Petersberg (2020)
1591.
Conference Paper
Elsner, J.: Imagining the Artemidorus Papyrus: Some Problems with the Digital Archaeology of Pictures. In: Photography and imagination (Routledge history of photography ; 6), pp. 52 - 68 (Eds. Morris-Reich, A.; Olin, M.). Photography and imagination, Tel Aviv, 2014. Routledge, Taylor & Francis Group, New York ; London (2020)
1592.
Conference Paper
Garinei, S.: Henry Thode und die erste nationalistische Kunstkritik. In der Villa Cargnacco (Vittoriale): Wagner-Dürer-Thoma. In: Kunst wird Macht. Gabriele D'Annunzio und Richard Wagner (Impulse - Villa Vigoni im Gespräch ; Band 25), pp. 120 - 135 (Eds. Amodeo, I.; Vogel-Walter, B.). Kunst wird Macht. Gabriele D'Annunzio und Richard Wagner, Menaggio, September 22, 2017 - September 24, 2017. Franz Steiner Verlag, Stuttgart (2020)
1593.
Conference Paper
Gründler, H.; Sapir, I.: The Announcement: annunciations and beyond: an introduction. In: The Announcement: annunciations and beyond, pp. XI - XXVIII (Eds. Gründler, H.; Nova, A.; Sapir, I.). The Announcement. Annunciations and beyond, Firenze, May 02, 2013 - May 04, 2013. De Gruyter, Berlin (2020)
1594.
Conference Paper
Nova, A.: Foreword. In: The Announcement: annunciations and beyond, pp. IX - X (Eds. Gründler, H.; Nova, A.; Sapir, I.). The Announcement. Annunciations and beyond, Firenze, May 02, 2013 - May 04, 2013. De Gruyter, Berlin (2020)
1595.
Conference Paper
Simane, J.: Firenze città nobilissima - Topografia e rappresentazione. In: Le guide di città tra il XV e il XVIII secolo: arte, letteratura, topografia: seminari di letteratura artistica (Contributi e proposte ; 116), pp. 95 - 110 (Eds. Carrara, E.; Visioli, M.). Le guide di città tra il XV e il XVIII secolo: arte, letteratura, topografia : seminari di letteratura artistica, Pavia, December 05, 2018 - December 06, 2018. Edizioni dell’Orso, Alessandria (2020)
1596.
Conference Paper
Donetti, D.: Architecture and dystopia, or negative thinking as a design method. In: Architecture and dystopia, pp. 9 - 21. Progetto e distopia/Architecture and Dystopia. Giornata di studi/Workshop, Firenze, October 16, 2014 - October 17, 2014. Actar Publishers, New York ; Barcelona (2019)
1597.
Conference Paper
Donetti, D.: Modelli, produzioni, variazioni: l’organizzazione del lavoro nel cantiere della Sagrestia Nuova. In: Michelangelo: arte - materia - lavoro (Collana del Kunsthistorisches Institut in Florenz, Max-Planck-Institut ; 21), pp. 217 - 231 (Eds. Nova, A.; Zanchettin, V.). Michelangelo - arte, materia, lavoro , Firenze, October 09, 2014 - October 11, 2014. Marsilio, Venezia (2019)
1598.
Conference Paper
Löhr, W.-D.: "Morosius": Paolo Giovio e la disciplina di Leonardo nel contesto degli altri. In: Leonardo in dialogue: the artist amid his contemporaries (Studi e ricerche ; 12), pp. 263 - 285 (Eds. Nova, A.; Borgo, F.; Maffeis, R.). Leonardo in dialogue : the artist amid his contemporaries, Firenze, September 17, 2015 - September 19, 2015. Marsilio, Venezia (2019)
1599.
Conference Paper
Nova, A.: Per "honore et utile": l’etica del lavoro nell’opera di Michelangelo. In: Michelangelo. Arte – Materia – Lavoro (Collana del Kunsthistorisches Institut in Florenz, Max-Planck-Institut ; 21), pp. 13 - 18 (Eds. Nova, A.; Zanchettin, V.). Michelangelo. Arte – Materia – Lavoro, Firenze, October 09, 2014 - October 11, 2014. Marsilio, Venezia (2019)
1600.
Conference Paper
Nova, A.; Bietti, M.; Gnesutta, M.; Zanchettin, V.: La Sagrestia Nuova: rilievo digitale e disegno dell’architettura. In: Michelangelo. Arte – Materia – Lavoro (Collana del Kunsthistorisches Institut in Florenz, Max-Planck-Institut ; 21), pp. 246 - 260 (Eds. Nova, A.; Zanchettin, V.). Michelangelo. Arte – Materia – Lavoro, Firenze, October 09, 2014 - October 11, 2014. Marsilio, Venezia (2019)
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