Wolf, G.; Connors, J. (Eds.): Colors between two worlds: the Florentine Codex of San Bernhardino de Sahagún ; [acts of a conference held at Villa I Tatti and the Kunsthistorisches Institut in Florenz, Florence 12 - 13 June 2008]. Colors between two worlds = colore tra due mondi : the Florentine Codex of San Bernhardino de Sahagún, Florence, June 12, 2008 - June 13, 2008. Officina Libraria [u.a.], Milan [u.a.] (2011), XXI, 483 pp.

Simane, J.: Working without words: image based retrieval as a model to overcome language hurdles. In: World Library and Information Congress: 77th IFLA General Conference and Assembly (Ed. IFLA). World Library and Information Congress : 77th IFLA General Conference and Assembly, San Juan, August 13, 2011 - August 18, 2011. (2011)

Caraffa, C.: From photo libraries to photo archives: on the epistemological potential of art-historical photo collections. In: Photo Archives and the Photographic Memory of Art History (Italienische Forschungen des Kunsthistorischen Institutes in Florenz, I Mandorli; 14), pp. 11 - 44 (Ed. Caraffa, C.). Photo Archives and the Photographic Memory of Art History , London, June 16, 2009 - June 17, 2009. Dt. Kunstverl., Berlin [et al.] (2011)

Caraffa, C.: Domenico Fontana e gli obelischi: fortuna critica del "Cavaliere della Guglia". In: NavoneStudi su Domenico Fontana, 1543 - 1607: [convegno internazionale di studi, Mendrisio, 13 - 14 settembre 2007] . - (Saggi / Archivio del Moderno ; 19), pp. 21 - 47 (Eds. Curcio, G.; Navone, N.; Villari, S.). Studi su Domenico Fontana, 1543 - 1607, Mendrisio, September 13, 2007 - September 14, 2007. Mendrisio Academy Press, Cinisello Balsamo, Milano (2011)

Creutzburg, A.: Darstellungen von göttlicher Inspiration in der Neapeler Buchmalerei: zur Visualisierung von "auctoritas" in den Autorenbildern der hl. Birgitta von Schweden. In: Buchschätze des Mittelalters: Forschungsrückblicke - Forschungsperspektiven, pp. 265 - 279 (Eds. Beuckers, K. G.; Jobst, C.; Westphal , S.). Kolloquium des Kunsthistorischen Instituts der Christian-Albrechts-Universität zu Kiel, Kiel, April 24, 2009 - April 26, 2009. Schnell & Steiner, Regensburg (2011)

Daly Davis, M.: Carlo Lenzoni's "In difesa della lingua fiorentina e di Dante" and the literary and artistic world of Cosimo Bartoli and the Accademia Fiorentina. Cosimo Bartoli (1503 - 1572), Mantova, November 18, 2009 - November 19, 2009. Cosimo Bartoli (1503 - 1572) ; atti del convegno internazionale (Mantova, 18 - 19 novembre - Firenze, 20 novembre 2009), pp. 261 - 282 (2011)

Dell'Acqua, F.: The "Salerno" ivories: a "pocket" encyclopedia. In: The "Amalfi"-"Salerno" ivories and the medieval Mediterranean: a notebook from the workshop convened in Amalfi (December 10-13, 2009), pp. 7 - 25 (Eds. Dell'Acqua, F.; Kessler , H. L.; Shalem, A.). Gli avori "amalfitani"-"salernitani" e l’arte nel Mediterraneo medievale, Amalfi, December 10, 2009 - December 13, 2009. Presso la Sede del Centro, Amalfi (2011)

Dell'Acqua, F.: Craft production in Early Western monasticism: rules, spaces, products. In: Western Monasticism ante litteram: the spaces of monastic observance in Late Antiquity and the Early Middle Ages (Disciplina Monastica ; 7), pp. 297 - 322 (Ed. Dey, H.). Western Monasticism ante litteram : the spaces of monastic observance in Late Antiquity and the Early Middle Ages, Roma, 2007-03. Brepols, Turnhout (2011)

Fuentes Lázaro, S.: Invenciones de arquitectura - entes de razón: el dibujo quimérico según Andrea Pozzo y Antonio Palomino. In: Mirando a Clío: el arte español espejo de su historia ; Volume III (XVIII Congreso Nacional del Comité Español Historia del Arte), pp. 1729 - 1807. XVIII Congreso Nacional del Comité Español Historia del Arte : mirando a Clío ; el arte español espejo de su historia, Santiago de Compostela, September 20, 2010 - September 24, 2010. Università Santiago de Compostela, Santiago de Compostela (2011)

Fuentes Lázaro, S.: El pintor se hace cientifico: un approccio alla scuola quadraturista della corte spagnola (ca. 1670 - 1725). In: Quadratura: Geschichte, Theorie, Techniken, pp. 97 - 109 (Eds. Dubourg-Glatigny, P.; Bleyl, M.). Quadratura : Geschichte, Theorie, Techniken, Berlin, October 09, 2008 - October 11, 2008. Dt. Kunstverlag, Berlin (2011)

Nova, A.: Leonardo’s myology. In: Leonardo da Vinci’s anatomical world: language, context and “disegno”, pp. 155 - 166 (Eds. Nova, A.; Laurenza, D.). Leonardo da Vinci’s anatomical world : language, context and “disegno”, Florence, 2008. Marsilio, Venezia (2011)

Nova, A.; Laurenza, D.: The anatomical studies of Leonardo da Vinci: an assessment. In: Leonardo da Vinci’s anatomical world: language, context and “disegno”, pp. 9 - 15 (Eds. Nova, A.; Laurenza, D.). Leonardo da Vinci’s anatomical world : language, context and “disegno”, Florence, 2008. Marsilio, Venezia (2011)

Peters, D.: From Prince Albert's Raphael Collection to Giovanni Morelli: photography and the scientific debates on Raphael in the nineteenth century. In: Photo Archives and the photographic memory of art history, pp. 129 - 144 (Ed. Caraffa, C.). Photo Archives and the photographic memory of art history, London, June 16, 2009 - June 17, 2009. Deutscher Kunstverlag, Berlin, München (2011)

Peters, D.: Raphael revisited: on the authenticity of the early photography of drawings ; a research project in the Photothek of the Kunsthistorisches Institut in Florenz. In: Photo Archives and the photographic memory of art history, pp. 395 - 404 (Ed. Caraffa, C.). Photo Archives and the photographic memory of art history, London, June 16, 2009 - June 17, 2009. Deutscher Kunstverlag, Berlin, München (2011)

Shalem, A.: Über die Notwendigkeit, zeitgenössisch zu sein: die islamische Kunst im Schatten der europäischen Kunstgeschichte. In: Orient – Orientalistik - Orientalismus: Geschichte und Aktualität einer Debatte (Postcolonial studies ; 5), pp. 245 - 264 (Eds. Schnepel, B.; Brands, G.; Schönig, H.). Orient – Orientalistik - Orientalismus : Geschichte und Aktualität einer Debatte, Halle-Wittenberg, 2009-07. Transcript-Verl., Bielefeld (2011)

Shalem, A.: Painting on ivory: changes in manufacturing techniques and the birth of a new aesthetic. In: Elfenbein und Archäologie: proceedings of INCENTIVS-meetings 2004-2007 = Ivory and archaeology: INCENTIVS-Tagungsbeiträge 2004-2007 (RGZM-Tagungen ; 7), pp. 131 - 136 (Eds. Banerjee, A.; Eckmann , C.). INCENTIVS-meetings 2004 - 2007, Mainz. Verl. des Römisch-Germanischen Zentralmuseums, Mainz (2011)

Shalem, A.: Hidden aesthetics and the art of deception: the object, the beholder and the artisan. In: Siculo-Arabic ivories and Islamic painting 1100-1300: proceedings of the international conference, Berlin, 6 - 8 July 2007 (Römische Forschungen der Bibliotheca Hertziana ; 36), pp. 39 - 52 (Ed. Knipp, D.). Siculo-Arabic ivories and Islamic painting 1100-1300, Berlin, July 06, 2007 - July 08, 2007. Hirmer, München (2011)

Vitali, S.: Le "mani" dei Carracci: nuove ipotesi per Agostino ed Annibale nel fregio Magnani. In: Nuova luce su Annibale Carracci: Akten der Tagung in Rom, März 2007), hg. von Sybille Ebert-Schifferer, Silvia Ginzburg und Maria Cristina Terzaghi, pp. 49 - 67 (Eds. Ebert-Schifferer , S.; Ginzburg, S.; Terzaghi, M. C.). Nuova luce su Annibale Carracci, Roma, 2007-03. De Luca, Roma (2011)

Wolf, G.: A rainbow of two worlds: introductory remarks. In: Colors between two worlds: the Florentine Codex of San Bernhardino de Sahagún ; [acts of a conference held at Villa I Tatti and the Kunsthistorisches Institut in Florenz, Florence 12 - 13 June 2008], pp. XVII - XXI. Colors between two worlds = colore tra due mondi : the Florentine Codex of San Bernhardino de Sahagún, Florence, June 12, 2008 - June 13, 2008. Officina Libraria [u.a.], Milan [u.a.] (2011)

Melli, L.: Dal modello alla natura: il ruolo del Verrocchio ; lecture at the international conference organized by M. Kwakkelstein and L. Melli (Firenze, Istituto Universitario Olandese di Storia dell'Arte). From pattern to nature in Italian Renaissance drawing from Pisanello to Leonardo, Firenze (2011)