Book Chapter (57)

61.
Book Chapter
Melli, L.: Attributed to Andrea del Verrocchio: Figure study of a male nude (cat. no. 47). In: Verrocchio. Scupltor and painter of Renaissance Florence, pp. 292 - 294 (Ed. Butterfield, A.). National Gallery of Art, Washington, Washington (2019)
62.
Book Chapter
Melli, L.: Attributed to Andrea del Verrocchio: Figure study of a male nude with raised left arm (cat. no. 48). In: Verrocchio. Scupltor and painter of Renaissance Florence, pp. 295 - 297 (Ed. Butterfield, A.). National Gallery of Art, Washington, Washington (2019)
63.
Book Chapter
Melli, L.: A walking horse in profile facing right (recto) / Measured drawing of a horse in rear and frontal view, and its leg (verso) (cat. no. 50). In: Verrocchio. Scupltor and painter of Renaissance Florence, pp. 301 - 304 (Ed. Butterfield, A.). National Gallery of Art, Washington, Washington (2019)
64.
Book Chapter
Melli, L.: Measured drawing of a horse facing left (cat. no. 51). In: Verrocchio. Scupltor and painter of Renaissance Florence, pp. 305 - 307 (Ed. Butterfield, A.). National Gallery of Art, Washington, Washington (2019)
65.
Book Chapter
Melli, L.; Hernandez, M.: Cartoon for the head of an angel (cat. no. 36). In: Verrocchio. Scupltor and painter of Renaissance Florence, pp. 247 - 249 (Ed. Butterfield, A.). National Gallery of Art, Washington, Washington (2019)
66.
Book Chapter
Palozzi, L.: Contextualizing English Alabasters in the Material Culture of the Medieval Mediterranean. In: English Alabaster Sculptures in their Cultural Contexts (Boydell Studies in Medieval Art and Architecture), pp. 71 - 92 (Ed. Murat, Z.). Boydell & Brewer, Suffolk (2019)
67.
Book Chapter
Policicchio, G.; Mucciante, F.; Stillitano, M.: La mostra della pittura italiana del Seicento e del Settecento: rilettura e riscoperta di uno stile: il Barocco. In: Mostre a Firenze 1911-1942: nuove indagini per un itinerario tra arte e cultura (Microstorie d’arte ; 6), pp. 41 - 56 (Ed. Giometti , C.). Edizioni ETS, Pisa (2019)
68.
Book Chapter
Savkic, S.: Introducción. Manifestaciones y prácticas visuales amerindias. In: Culturas visuales indígenas y las prácticas estéticas en las Américas desde la antigüedad hasta el presente = Indigenous visual cultures and aesthetic practices in the America's past and present (Estudios Indiana ; 13), pp. 7 - 27 (Eds. Savkic, S.; Baader, H.). Gebr. Mann Verlag, Berlin (2019)
69.
Book Chapter
Savkic, S.: Introduction. Amerindian Visual Manifestations and Practices. In: Culturas visuales indígenas y las prácticas estéticas en las Américas desde la antigüedad hasta el presente = Indigenous visual cultures and aesthetic practices in the America's past and present (Estudios Indiana ; 13), pp. 29 - 48 (Eds. Savkic, S.; Baader, H.). Gebr. Mann Verlag, Berlin (2019)
70.
Book Chapter
Savkic, S.: The Appropriation of Space and Time through the Built Environment: The Case of the Las Pinturas Group at San Bartolo, Guatemala. In: Signs of Place: A Visual Interpretation of Landscape (Berlin Studies of the Ancient World ; 69), pp. 185 - 199 (Eds. Döhl, R.; Rensburg, J. J. v.). Edition Topoi, Berlin (2019)
71.
Book Chapter
Seidel, M.; Calamai, S.: Prospettive. In: Antony Gormley – Essere. Catalogo della mostra, Gallerie degli Uffizi, Aula Magliabechiana, 26.02.2019-26.05.2019, pp. 104 - 157 (Eds. Seidel, M.; Schmidt, E.). Giunti, Firenze ; Milano (2019)
72.
Book Chapter
Sölch, B.: Platz-Bild-Gedanken. In: Projektionen. Der Platz als Bildthema (I Mandorli ; 28), pp. 21 - 38. Deutscher Kunstverlag, Berlin (2019)
73.
Book Chapter
Targia, G.: Der "Zusammenhang zwischen Natur- und Geisteswissenschaft" bei Aby Warburg, Edgar Wind und Niels Bohr. In: Aby Warburg und die Natur (Naturbilder ; 6 ), pp. 9 - 31 (Eds. Fehrenbach , F.; Zumbusch, C.). De Gruyter, Berlin ; Boston (2019)
74.
Book Chapter
Targia, G.: Einverseelung, unbewusstes Gedächtnis, und Aby Warburgs Mnemosyne. In: イメージ学の現在 = Image studies today: from Aby Warburg's Mnemosyne Atlas to neurological Bildwissenschaft, pp. 31 - 46 (Eds. Sakamoto, Y.; Tanaka, J.; Takemine , Y.). University of Tokyo Press, Tokyo (2019)
75.
Book Chapter
Wolf, G.: Oltre la città e il paesaggio: scenari e sfide "post-catastrofici". In: Storia dell'arte e catastrofi: spazio, tempi, società, pp. 383 - 389 (Eds. Belmonte, C.; Scirocco, E.; Wolf, G.). Marsilio, Venezia (2019)
76.
Book Chapter
Wolf, G.: Ornamento, immagine, oggetto. In: What a wonderful world. La lunga storia dell'Ornamento tra arte e natura. Catalogo della mostra (Reggio Emilia, Palazzo Magnani e Chiostri di San Pietro, 16 novembre 2019 - 8 marzo 2020), pp. 286 - 295 (Eds. Franzoni , C.; Nardoni, P.). Skira, Milano (2019)
77.
Book Chapter
Zittel, C.: "Geist ist wesentlich Form." Benses Stilbegriffe. In: Max Bense: Werk - Wirkung - Kontext, pp. 177 - 204 (Eds. Zittel, C.; Albrecht, A.; Bonitz, M.; Skowronski, A.). Metzler, Stuttgart (2019)
78.
Book Chapter
Zittel, C.: Der Mond der Künstler und der Mond der Philosophen. Zur Darstellung des Mondes in der Frühen Neuzeit. In: Projektierte Himmel (Wolfenbütteler Forschungen; 154), pp. 23 - 56 (Eds. Berns, J. J.; Rahn, T.). Harrassowitz, Wiesbaden (2019)
79.
Book Chapter
Zittel, C.: Max Bense und der kalifornische Hegel. In: Was das Archiv von Hegel weiß, pp. 26 - 29. Deutsche Schillerges., Marbach am Neckar (2019)
80.
Book Chapter
Zittel, C.: Ästhetische Kalküle in Nietzsches Moralkritik. In: Übermensch. Friedrich Nietzsche und die Folgen, pp. 114 - 117 (Ed. Mortzfeld , B.). Christoph Merian Verlag, Basel (2019)
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