Fani, S.: Scribal practices in Arabic manuscripts from Ethiopia. The aǧamization of some ʿ scribal practices in fuṣḥā and ʿaǧamī manuscripts from Harar. Islamic Africa 8, S. 144 - 170 (2017)

Fani, S.; Bernabò, M.; Farina, M.; Rao, I. G.: Le miniature del Vangelo arabo della Biblioteca Medicea Laurenziana di Firenze, codice Orientali 387 (Mardin, 1299 d.C.). Orientalia Christiana Periodica 83 (2), S. 293 - 447 (2017)

Hanstein, L.; Chytraeus-Auerbach, I.: The (R)Evolution of modern Italian painting: divisionism and its influence on the Futurist Avant-garde (Review of: I pittori della luce: dal Divisionismo al Futurismo). International yearbook of futurism studies 7, S. 395 - 403 (2017)

Jonietz, F.: Der Vater des Disegno? Kunstchronik: Monatsschrift für Kunstwissenschaft, Museumswesen und Denkmalpflege 70 (1), S. 14 - 19 (2017)

Langer, P.: Giovanni of Capestrano as novus Bernardinus. An attempt in iconography and relics. Franciscan Studies 75, S. 175 - 208 (2017)

Loseries, W.: A project by Peruzzi for the Chapel of Saint Helena in Santa Croce in Gerusalemme. Nuovi studi: rivista di arte antica e moderna 21.2016=Nr.22, S. 25 - 35 (2017)

Loseries, W.: Peter Anselm Riedl (1930-2016). Mitteilungen des Kunsthistorischen Institutes in Florenz 58 (3), S. 421 - 423 (2017)

Mascolo, M. M.: Un "ignoto corrispondente", Lanzi e la quadreria di Pommersfelden: sull'avvio (e sul percorso) di Roberto Longhi come conoscitore. Prospettiva: rivista di storia dell'arte antica e moderna 161/162(2016), S. 157 - 186 (2017)

Mascolo, M. M.: Pittura tra Pisa e Lucca al principio del Quattrocento: alcuni casi dello stile "gotico internazionale". Predella 39(2016), S. 67 - 81 (2017)

Mascolo, M. M.: [Review of:] Futurist painting sculpture (plastic dynamism) / Umberto Boccioni ; introduction by Maria Elena Versari. - Los Angeles, California: Getty Research Institute, 2016. Nuova informazione bibliografica; Soc. Ed. Il Mulino, Bologna 2017,2, S. 335 - 336 (2017)

Messner, A. S.: [Review of:] Der unschuldige Blick: Leni Riefenstahls Nuba-Fotografien / Gisela Schäffer. - Berlin ; München: Deutscher Kunstverlag, 2016. Kunstform 18 (10), S. 0 - 0 (2017)

Mozzati, T.: Charles V, Bartolomé Ordóñez, and the tomb of Joanna of Castile and Philip of Burgundy in Granada: an iconographical perspective of a major royal monument of Renaissance Europe. Mitteilungen des Kunsthistorischen Institutes in Florenz 59 (2), S. 175 - 201 (2017)

O'Donnell, O.: Berensonian Formalism and Pragmatist Perception. Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft; Meiner, Hamburg 62 (2), S. 0 - 0 (2017)

O'Donnell, O.: Revisiting David Summers's Real Spaces: a neo-pragmatist interpretation. World Art; Routledge, London April, S. 1 - 18 (2017)

O'Donnell, O.: Depicting Berkeleyan Idealism: a study of two portraits by John Smibert. Word & image: a journal of verbal visual enquiry 33 (1), S. 18 - 34 (2017)

Rasch, M.: "Operation Bodysnatch": Friedrich der Große und Paul von Hindenburg in Marburg. Jahrbuch für den Landkreis Marburg-Biedenkopf Bd. 12, S. 187-189 - 189 (2017)

Rasch, M.: Kunstsammelstelle Staatsarchiv: der Marburg Central Collecting Point. Archivnachrichten aus Hessen 17 (1), S. 60 - 62 (2017)

Rossi, F.: I tre mausolei di Lenin di Aleksej Viktorovicˇ Šcusev = The three Mausoleums for Lenin by Aleksej Viktorovicˇ Šcusev. Firenze Architettura 21 (2), S. 150 - 159 (2017)

Ruffini, M.: Luigi Dallapiccola e il balletto. Da Henri Matisse ad Aurel M. Milloss. Nuova Antologia 152 (2283), S. 63 - 81 (2017)

Sammern, R.: Idol and Face: Thomas Tuke's Puritan Discourse on Face Painting and Idolatry. Kritische Berichte: Zeitschrift für Kunst- und Kulturwissenschaften ; Mitteilungsorgan des Ulmer Vereins - Verband für Kunst- und Kulturwissenschaften e.V. 45(2016) (1), S. 27 - 32 (2017)