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Journal Article
41 (3), pp. 197 - 207 (2022)
Memento mordant: etching bubbles and biting time. Source: Notes in the History of Art 22.
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31 (3), pp. 353 - 360 (2022)
Recycling Iconoclasm’s Waste: some notes and speculations. Sculpture Journal 23.
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10 (2022)
Politique de l'image élémentaire: David Wojnarowicz entre Aby Warburg et Pier Paolo Pasolini. Plastik – revue d'art & science 24.
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Albrecht Dürer erschlägt den Neid. Ein Künstler und sein notwendiger Gegenspieler. Jahrbuch der Akademie der Wissenschaften zu Göttingen, 2020/21, pp. 81 - 88 (2022)
25.
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45, pp. 409 - 430 (2022)
Skyscraper as site of social anxiety: investigating the cinematic representation of Milanese skyscrapers (1954-1965). Römisches Jahrbuch der Bibliotheca Hertziana, 2021/2022 26.
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25 (1), pp. 167 - 191 (2022)
Primitivismo e Francofilia nella critica di Lionello Venturi. I Tatti Studies in the Italian Renaissance 27.
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77-78, pp. 100 - 119 (2022)
Artful Foam: the Making of Erotic Art in Lucas Cranach the Elder’s Venus with Cupid. Princeton University Art Museum Record (2017) 28.
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6 (3), pp. 47 - 79 (2022)
A Cyclopes, a Stone, and a Four-Breasted Woman: Drawing Anatomical Knowledge. KNOW: A Journal on the Formation of Knowledge 29.
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6 (3), pp. 1 - 5 (2022)
Formation of Knowledge vol. 6, no. 3 (2022), S. 47-79. “Anatomical Things: An Introduction. KNOW: A Journal on the Formation of Knowledge 30.
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6, pp. 34 - 47 (2022)
Extending Museum beyond Physical Space: A Data-Driven Study of Aldo Rossi’s Analogous City as a Mobile Museum Object. International Journal for Digital Art History 31.
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10, pp. 197 - 211 (2022)
Conspirations des réseaux plats : dessiner des visualisations sur une surface sphérique continue. Études digitales, Cartographie et visualisation 32.
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Surprise Machines: Revealing Harvard Art Museums’ Image Collection. Information Design Journal, November https://doi.org/10.1075/idj.22013.rod (2022)
33.
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38 (4), pp. 44 - 62 (2022)
COVIC: Collecting Visualizations of COVID-19 to Outline a Space of Possibilities. Design Issues https://doi.org/10.1162/desi_a_00697 34.
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55 (3) (2022)
A Visual Translation of the Pandemic. Leonardo https://doi.org/10.1162/leon_a_02203 35.
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Immersive Architectures for Data Literacy. Information Design Journal, Information design in response to the Covid-19 pandemic (2022)
36.
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Je (středověk) doba temna? [Is (the Middle Ages) a dark age?]. Je (středověk) doba temna? [Is (the Middle Ages) a dark age?] (2022)
37.
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74 (2-3), pp. 98 - 108 (2022)
Der Magnetstein in geologischen Theorien der Vormoderne. Der Anschnitt 38.
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27 (5), pp. 426 - 459 (2022)
How to Send a Secret Message from Rome to Paris in the Early Modern Period: Telegraphy between Mag-netism, Sympathy, and Charlatanry. Early Science and Medicine https://doi.org/10.1163/15733823-20220056 39.
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64, pp. 315 - 359 (2022)
Rendering Magnetism Visible. Diagrams and Experiments between 1300 and 1700. Centaurus 40.
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5, pp. 219 - 226 (2022)
Sculture inedite dalla Cattedrale medievale di Caserta: la ‘collezione’ di Casa Cefarelli. Confronto. Studi e ricerche di storia dell’arte europea